16 Nov 液态讲座｜回响：中国当代艺术中的声音
回响：中国当代艺术中的声音
RESONANCE: SOUND IN CONTEMPORARY CHINESE ART
本次讲座以新著《回响：中国当代艺术中的声音》为基础，讨论声音如何在中国当代艺术中被重新发明。声音艺术将声音从音乐的范式中解放出来，它并不一定“有声”，而是让听觉成为一种感知方法：让档案开口讲述故事，让消失的记忆得以复位，让被遮蔽的地方与身体重新显形，让听觉成为田野笔记、成为抵抗性的叙述方式，用技术唤回被抹消的世界，用展览重塑地方经验，用耳朵重写当代艺术史。本次讲座将回顾自“85新潮”以来的关键作品、事件与平台网络，并提出进入声音艺术的四把方法钥匙：“意图—空间—材料与技术—主题”。声音不只是媒介，而是一种重新组织共处方式的回响结构：通过倾听，我们听见的不只是声音，更是时代、地域与生命的关系形态。
This lecture, based on the newly published book Resonance: Sound in Contemporary Chinese Art, explores how sound has been reinvented within the context of contemporary Chinese art. Sound art liberates sound from the paradigm of music; it is not necessarily “audible,” but instead makes listening a mode of perception. It allows archives to speak their stories, restores vanished memories, reveals obscured places and bodies, and turns listening into both field notes and a form of resistant narration. Through technology, it recalls erased worlds; through exhibitions, it reshapes local experience; through the ear, it rewrites the history of contemporary art.
The lecture will revisit key works, events, and networked platforms since the “85 New Wave,” and propose four methodological keys for engaging with sound art: intention, space, material and technology, and theme. Sound is not merely a medium—it is a resonant structure that reorganizes our ways of coexistence. By listening, we hear not only sound itself, but also the configurations of time, place, and life.
「主讲人」
SPEAKER
王婧，浙江大学传媒与国际文化学院副教授，博士生导师。2023-2024博古睿学者。MIT人类学访问教授，香港城市大学创意媒体学院访问学者。瑞士文化基金会Pro Helvetia驻留艺术家（2022-2023）。研究领域包括声音研究，艺术人类学，感官研究。出版专著Half Sound, Half Philosophy: Aesthetics, Politics and History of China’s Sound Art (Bloomsbury, 2021)，《回响：中国当代艺术中的声音》（浙江大学出版社，2025），《声音与感受力：中国声音实践的人类学研究》（浙江大学出版社，2017）。担任SSCI期刊Social Science Information国际编委，担任Sound Studies: an Interdisciplinary Journal，Bloomsbury Music and Sound, Sound Studies编委。参与策划声音艺术项目《声闻》（上海外滩美术馆2013-2014），《音顾：中国当代艺术中的声音三十年回顾展》（2021至今），《招声-“今天山水有用吗？”第三期》（2023）等。艺术创作方面，致力于田野录音，基于嗓音的装置、表演，以及多媒介声音作品创作。
Adel-Jing Wang is an associate professor of Sound Studies at Zhejiang University. She was the 2023-2024 Berggruen Scholar. She was a Visiting Professor at MIT anthropology (2019-2020), a visiting scholar at School of Creative Media at City University of Hong Kong (2017.2). She was the residency artist at The Swiss Arts Council Pro Helvetia (2022-2023). Academically, she is the author of the book Resonance: Sound in Contemporary Chinese Art (Zhejiang University Press, 2025) (in Chinese), Half Sound, Half Philosophy: Aesthetics, Politics, and History of China‘s Sound Art (Bloomsbury, 2021) (in English) and Sound and Affect: An Anthropology of China’s sound practice (Zhejiang University Press, 2017) (in Chinese). Artistically, she curates sound-related events and exhibitions. As a self-taught artist, she works with field-recordings, voice-based multimedia art and performance.
「讲座时间」
TIME
2025.11.17（周一）18:30-21:30
「讲座地点」
LOCATION
中国美术学院象山校区18-314
液/态/计/划
液态（Liquid)
作为一种物质的自然基本形态，
不定而凝聚。
液态计划由 SIMA 自由艺术工作室师生共同发起，
作为教学机构浸润于当下的艺术生态。