29 Mar 展览预告｜预备动作Anticipation
开幕
2024.01.20 15:00
Opening
20 Jan. 2024 3:00 PM.
展期
2024.01.20——2024.02.19
展期内每天 12:00-19:00开放（周一闭馆）
Duration
20 Jan. 2024 – 19 Feb. 2024
accessible between 12:00 – 19:00
（closed on Monday）
展览地址
杭州市凤山路79号
杭州商业储运有限公司3仓3层 303
Venue
Hangzhou Storage and Transportation Co. Ltd
building 3 floor 3 303
主办
中国美术学院跨媒体艺术学院 ⾃由艺术⼯作室
Host
Free Art Studio within the School of Intermedia Art (SIMA) of China Academy of Art (CAA)
预备动作
Anticipation
用一个极长的慢镜头瞄准一个起跑线上的运动员进行特写：运动员在裁判指令下就位，身体下伏，肌肉紧绷牵连着骨骼产生位移，双脚踏上踏板，双臂下垂，手掌着地，重心下降，身体被调度进入了一个中间时刻。此刻这具身体正处在过去与未来相互叠垒的重合界面上，承担着上一个阶段的动作结果，又包含着在枪声响起后发生的爆发动作。同时，慢镜头又让时间不再均质地流动，时刻之间的间距在此被夸张地拉长，放慢了躯体在热身松弛与起步爆发之间的切换过程。假如这个镜头可以被无限延长，那么衔接两个状态之间的预备动作将趋向凝止，和这个瞬间锚定在一起，承担过去和未来共同作用的重量。但此刻这具身体，也已然被要求着遵循竞技规则、获得名次，实现他者们的预期。这个预备动作的下一刻指向，无论是否肯认了这些外部因素，都无法回避后者存在之现实。
由此简化出一个本次策展相对清晰的概念陈述：身体被预备动作锚定在了已然发生与尚未发生事物的交叉时刻，负载由外部施加的限定，在结算前一刻的同时预算下一刻。
此次参展的15名创作者们来自于中国美术学院自由艺术工作室，正值转进下一个社会阶段的预备时期。作品反映了参展创作者们的心理现实与相应反应：衣物与赤裸的身体具备的社会属性、夺予并存的亲密关系、自我客体化带来的躯体肢解、被定义为“病态”的诸种症候及与之相随的父权制度压抑——创作者们在这个阶段所透露出对身心状态的敏感留意看似内向化，却使得塑造其各自主体的社会环境以负形状态在场；更有构建性的尝试，则体现为创作者通过元小说的结构制图、游戏规则的设定揭示了其内在想象的“可能世界”；技术图像的幻觉效果及其在特定意识形态下所造就的难辨虚实的社会效应，在当今图像社会的情境下，同样也成为了参展创作者没有回避掉的关键问题。
若仅通过以上相对标准的当代艺术话语，来论述凡此种种的议题选择与相应的“打开方式”，或许会令富有经验的观众，过快地将这些作品与当代艺术世界主流议题相化约。但过早的结论势必会忽视个体内在的复杂层次。因此，本次展览并不尝试继续为他们的作品罗织复杂的理论语境，而是试图呈现他们在轮转阶段里，凝定在这个慢镜头中的身心状态——此刻的他们既带有着过往“训练”、自我教育、校园塑造乃至更大的社会塑形的痕迹，又包含着下一刻面对学林之外更大现场的批判观察、严肃思考、认真反动和大胆策略。过去与将来在此集聚，预备动作就绪，好戏还在后头。
Capture an athelte on the starting line with an extensive slow-motion shot: Following the referee’s command, the athlete assumes a prone position, with tense muscles engaging with the skeleton, feet placing on the pedals, arms hanging down, palms on the ground, and the center of gravity lowering, marking the body’s entrance into an intermediate moment. At this very moment, the body is positioned on the overlapping interface between the past and the future, carrying the consequences of the previous stage of movement while anticipating the explosive action triggered by the gunshot. Meanwhile, this slow-motion shot disrupts the homogeneous flow of time, exaggerating the intervals between moments, unveiling the transitional process of the body from relaxation during warm-up and the explosion of the start.
If this shot could be infinitely extended, the preparatory action bridging the gap between two states would be anchored to the moment itself, thus bearing the weight of the overlapping past and future. On the other hand, this body in this moment is already obligated to adhere to athletic rules, achieve rankings, and fulfill the expectations of others. In any case, the next moment following this preparatory action, irrespective of its acknowledgment of external factors, cannot evade the reality of their existence.
This simplifies into a relatively clear conceptual statement for this exhibition: the body, in a preparatory action, is anchored in the intermediate stage between what has already happened and what is yet to come, simultaneously bearing the constraints imposed by the external reality while preparing to respond to the latter.
The artists participating in this exhibition are from the Free Art Studio of the China Academy of Art, currently in a preparatory period as they are about to transition to the next social stage. The exhibition aims to focus on the psychological realities and corresponding responses they face at this juncture: the social attributes of clothing and naked bodies, the dynamics of giving and depriving within intimate relationships, the bodily dissection brought about by self-objectification, various symptoms defined as “pathological,” along with the suppression of the patriarchal system. While the artists’ sensitive attention to their mental and physical states at this stage may seem introspective, it negatively shapes the social environment of their individual subjects. Artists make more constructive endavours by revealing the “possible worlds” through structural mapping of meta-novels, establishing game rules, and employing various forms of inner imagination. By contrast, the exhibiting artists have not avioded the ket issues such as the illusory effects of technical images and the challenging authenticity of social conditions created under specific ideologies in the context of today’s image society.
If we were to solely discuss the various topics and corresponding discussing through the relatively standard discourse of contemporary art mentioned above, it might prematurely lead experienced viewers to quickly associate their creations with the mainstream topics of today’s contemporary art world. However, such premature conclusions are bound to oversimplify the complex layers of their personal worlds behind the creations. Therefore, this exhibition does not aim to continue weaving them into a complex theoretical context, it seeks to present their mental and physical states at this moment during the transitional stage just before graduation— at this moment, they carry not only the traces of past experiences such as “training,” self-education, campus shaping, and even larger social shaping, but also encompass the critical observations, serious contemplation, earnest rebellion, and bold strategies to confront a world beyond the campus in the next moment. All is ready, and the best is yet to come.
策展人
陈迅超
Curator
Tan Sin Thiau
艺术家
曾吴秋子 何元元 蒋一凡 孔媛 李炳磊
马星雨 王子昕 翁喆颖 徐良康 徐诺 叶御风
张怡雯 江懿轩 朱棣铭 朱屹立
Artists
Zeng Wuqiuzi, He Yuanyuan, Jiang Yifan, Kong Yuan, Li Binglei, Ma Xingyu, Wang Zixin, Weng Zheyin, Xu Liangkang, Xu Nuo, Ye Yufeng, Zhang Yiwen, Zhu Diming, Zhu Yili
展览统筹
李育婵
Exhibit Coordinator
Li Yuchan
视觉设计
周津宇 杨婕
Visual Designer
Zhou Jinyu,Yang Jie
学术支持
谢静 蒋竹韵
Academic Support
Xie Jing, Jiang Zhuyun
特别鸣谢
三川 尚龙 庄睿哲 戚依然 赖佳文 徐健 黄屹 徐梦艺
cusp.卡斯普多特
Acknowledgments
Sanchuan, Shang Long, Zhuang Ruizhe, Qi Yiran, Lai Jiawen, Xu Jian, Huang Yi, Xu Mengyi, Cuspdot
徐诺（Xu Nuo）
2001年出生于浙江杭州，就读于中国美术学院跨媒体艺术学院自由艺术工作室。
Xu Nuo, born in 2001 in Hangzhou, Zhejiang, is currently enrolled at the School of Intermedia Art, China Academy of Art.
朱屹立（Zhu Yili)
2002年出生于浙江省海宁市。就读于中国美术学院跨媒体艺术学院自由艺术工作室。创作以机械或模型装置为主。作品多数以个人经历和所见所感为出发点，通过感知各类性状的现实媒介并对其进行手工创作，以非文字语言的方式传递身处不同经历或存在特定场域下的具身感受，并尝试以此为基础探讨相关社会议题。
Zhu Yili, born in 2002 in Haining City, Zhejiang Province, is currently enrolled at the School of Intermedia Art, Free Art Studio, China Academy of Art. His artistic practice primarily revolves around mechanical or model installations. Many of his works stem from personal experiences and observations, using various tangible mediums to handcraft and convey perceptions of different characteristics. Through non-verbal languages, he aims to communicate embodied sensations from diverse experiences or specific contexts, exploring related social issues on this basis.
江懿轩（Jiang Yixuan）
广东台山人，2001年出生于中国湖南沅陵，后随父母从湖南转到广东生活和学习，所以属于由外来务工潮而产生的“外来广东人”。2020年考入中国美术学院，并在2020到2021年创作了影像作品《无法确定的葵》。2021年进入跨媒体艺术学院自由艺术工作室学习，在2022到2023年创作了实验动画《枪声响起的前一个夜晚》。江懿轩的创作常以影像动画的方式呈现，而关注点则持续玩味于自身与外界环境相处的多种可能性。
Jiang Yixuan,originally from Taishan, Guangdong, was born in 2001 in Yuanling, Hunan, China. Subsequently, he relocated to Guangdong with his parents, contributing to the demographic of “migrant Guangdong residents” resulting from the influx of external labor. In 2020, Jiang gained admission to the China Academy of Art, where he created the visual work “Indeterminate Sunflowers” between 2020 and 2021. In 2021, he joined the Free Art Studio within the School of Intermedia Art to pursue studies in cross-media arts. During 2022 and 2023, he produced the experimental animation “The Night Before the Gunshots.” Jiang Yixuan frequently expresses his creativity through visual animations, maintaining a consistent focus on exploring various possibilities in his interactions with the surrounding environment.
王子昕（Wang Zixin）
2002年出生于浙江绍兴，现就读于中国美术学院跨媒体艺术学院。其作品主要涉猎装置、行为、影像等。探讨社会中人与人的关系，人类肉体与社会的联系。结合自身对社会和社会学理论的理解，探讨个人在社会中的生存空间和界限。关注青少年心理健康问题与成人童稚化。
Wang Zixin, born in 2002 in Shaoxing, Zhejiang, is currently enrolled at the School of Intermedia Art, China Academy of Art. Her artistic endeavors span across installations, performances, and visual media. She explores the relationships between individuals in society, examining the connection between human bodies and societal structures. Integrating her own understanding of society and sociological theories, she delves into the spatial and boundary aspects of individual existence in society. She has a particular interest in addressing mental health issues among adolescents and the phenomenon of infantilization.
马星雨（Ma Xingyu）
2002年出生于中国浙江省金华市，2020年进入中国美术学院造型基础部学习，2021年进入中国美术学院跨媒体艺术学院自由艺术工作室学习。自由艺术家，虚拟服装设计师，作品涉及：绘画、3d、影像，交互装置等。现工作生活于杭州。代表作品有《枪声响起的前一个夜晚》《The Pig Skin Book》。
Ma Xingyu, born in 2002 in Jinhua City, Zhejiang Province, China, entered the Foundation Department of China Academy of Art in 2020. In 2021, she furthered her studies at the School of Intermedia Art, China Academy of Art, specializing in Free Art Studio. As a freelance artist and virtual fashion designer, Marina’s diverse portfolio includes painting, 3D design, video production, and interactive installations. She is currently based in Hangzhou. Representative works include “The Night Before the Gunshots” and “The Pig Skin Book.”
叶御风（Ye Yufeng）
生于广东，多用软性材料与现成物进行创作。
Yue Yufeng, born in Guangdong, specializes in utilizing soft materials and found objects in her artistic creations.
孔媛（Kong Yuan）
2001年出生于重庆市（但从未把它当作故乡），现学习、生活于杭州（但从未感到自己和这里有关）。目前本科就读于中国美术学院跨媒体艺术学院自由艺术工作室。创作缺乏长期关注的主题方向，没有擅长使用的媒介材料。
Kong Yuan, born in 2001 in Chongqing (though they has never considered it their hometown), currently resides and studies in Hangzhou (though they has never felt a strong connection to the place). They is currently an undergraduate student at the School of Intermedia Art, Free Art Studio, China Academy of Art. Their creative pursuits lack a consistent thematic focus, and they doesn’t have a preferred medium material.
何元元（He Yuanyuan）
2002年出生于江西赣州，现就读于中国美术学院跨媒体艺术学院。自由艺术家，自由插画师，擅长用图像与装置进行创作，创作作品大多关注于人与人之间、人与社会之间的认识和关系。
He Yuanyuan, born in 2002 in Ganzhou, Jiangxi, is currently studying at the School of Intermedia Art, China Academy of Art. She is a free-art artist and illustrator, specializing in creating works through images and installations. Most of her creations focus on exploring understanding and relationships between individuals and between individuals and society.
曾吴秋子（Zeng Wuqiuzi）
2002年出生于浙江台州，现居杭州。毕业于中国美术学院附中，现中国美术学院跨媒体艺术学院大四在读。一个喜欢画画的人，想画点有趣的东西。
Zeng Wuqiuzi, born in 2002 in Taizhou, Zhejiang, currently resides in Hangzhou. She graduated from the Affiliated High School of China Academy of Art and is now a senior student majoring in Intermedia Art at the China Academy of Art. A person with a passion for drawing, she aspires to create intriguing and engaging artwork.
翁喆颖（Weng Zheyin）
2002年出生于江苏高邮，现就读于浙江杭州中国美术学院跨媒体艺术学院自由艺术工作室。关注自然生态，或是从自身经历出发，感受即关注。
Weng Zheyin, born in 2002 in Gaoyou, Jiangsu, is currently enrolled in the Free Art Studio within the School of Intermedia Art at China Academy of Art in Hangzhou, Zhejiang. Her focus lies in natural ecology, often drawing inspiration from personal experiences and the awareness of sensory perception.
李炳磊（Li Binglei）
1997年出生于河南省商丘，现就读于中国美术学院跨媒体艺术学院，2021年进入自由艺术工作室学习。其作品呈现主要为机械装置、影像等，挖掘艺术本身的可玩性。现生活工作于杭州。
Li Binglei, born in 1997 in Shangqiu, Henan, is currently a student at the School of Intermedia Art, China Academy of Art. In 2021, he joined the Free Art Studio to further his studies. His artistic presentations primarily involve mechanical installations, visual media, and he delves into the playfulness inherent in art itself. He currently resides and works in Hangzhou.
张怡雯（Zhang Yiwen）
2000年出生于浙江湖州，现就读于中国美术学院跨媒体艺术学院自由艺术工作室，目前为大学四年级，小的时候点梦想是成为国家领导，曾经的最大梦想是一夜豪富和世界和平（现在依旧），有非常多的兴趣爱好，最开心的事情就是尝试新事物，最爽的事情是尝试新事物成功。参加了一些展览，但目前为止的成就多半是在精神上。
Zhang Yiwen, born in 2000 in Huzhou, Zhejiang. She’s currently kicking back and enjoying her senior year at the Free Art Studio within the School of Intermedia Art at the China Academy of Art. Back in the day, she dreamed of becoming a national leader, and her all-time greatest dream was to strike it rich overnight and achieve world peace (still a fan of both today). With a myriad of hobbies and interests, her absolute favorite thing is trying out new stuff, and the cherry on top is successfully nailing those experiments. While she’s dabbled in a few exhibitions, her achievements so far are mostly of the feel-good, spiritual kind.
朱棣铭（Zhu Diming）
2002年生于湖南长沙，现居杭州。主要借用装置的形式做一些无聊的事情，作品多数十分无趣。
Zhu Diming, born in 2002 in Changsha, Hunan, is currently based in Hangzhou. He primarily engages in creating somewhat mundane works using the form of installations. Most of his pieces are intentionally uninteresting, showcasing a penchant for exploring the banal aspects of artistic expression.
蒋一凡（Jiang Yifan）
2001年8月出生于江西省新余市，中国美术学院跨媒体艺术学院自由艺术工作室大四在读。喜欢插画，擅长在自己的世界活着，单纯表达一件事，不注入个人的想法，静静地活着，悄悄地走开。
Jiang Yifan, born in August 2001 in Xinyu, Jiangxi, is currently a senior student at the Free Art Studio within the School of Intermedia Art, China Academy of Art. He enjoys illustration and excels at living in his own world, expressing a single concept without injecting personal thoughts, living quietly, and departing quietly.
徐良康（Xu Liangkang）
徐良康，2002年出生，浙江温州人，长期从事电子游戏行业劳务工作，并以计算机图形学以及游戏策划作为长期的学习方向。目前就读于中国美术学院，正在进行游戏开发。作品主要以游戏设计为主，希望能以更宽阔的视角去审视游戏媒介。
Born in 2002, Xu Liangkang is a native of Wenzhou, Zhejiang province. He has been extensively involved in labor services within the electronic gaming industry and has pursued computer graphics and game planning as his long-term areas of study. Currently enrolled at the China Academy of Art, he is actively engaged in game development. His works primarily focus on game design, aiming to scrutinize the gaming medium from a broader perspective.
陈迅超（Tan Sin Thiau）
1996年出生于福建龙海。策展、写作及翻译。就读于中国美术学院跨媒体艺术学院当代艺术与社会思想研究所（ICAST）。关注东南亚地缘政治与海外华侨问题。写作与译作见于《Ocula》《44月报》《画刊》《艺术世界ArtReview》及《Leap艺术界》等。展览经历包括“舞吧！舞吧！我的玩偶”（2022，长征空间，北京）、“游策计划：城市游策City Run”(2022，铜场Tproject，杭州)、“今天‘山水’有用吗？「策·动」第四期：失的词或洞”（2023，正向艺术研究会，杭州）等。
Tan Sin Thiau, born in 1996 in Longhai, engages in curating, translation, and writing. He is currently a student at the Institute of Contemporary Art and Social Thought (ICAST) at the China Academy of Art. He has recently been focusing on geopolitical issues in Southeast Asia and the concerns of the overseas Chinese diaspora. His writings and translations have been published in “Ocula”, “44 Monthly”, “Art Monthly,” “ArtReview,” and “Leap.” His exhibition experience includes “Dance! Dance! Doll of Mine” (2022, Long March Space, Beijing), “City Run: Roam and Curate in Hangzhou” (2022, T-project, Hangzhou), and “Is ‘ Shanshui’ Useful Today? ‘Vol. 4: The Words Lost in Caves” (2023, PARC, Hangzhou).
李育婵（Chunaily）
1999年生于浙江温州。艺术创作者，本科毕业于中国美术学院跨媒体艺术学院自由艺术工作室。企图以艺术谋生（不特指售卖本人艺术创作）。略有强迫症，沉迷于表格、数据、参数等有秩序感之物，喜欢动手制作、将构想落地为现实。梦想在完成自己创作之余有能力为他人创作落地带来帮助。
Liyuchan(Chunaily)，an artist, born in 1999 in Wenzhou, Zhejiang. She graduated from the Free Art Studio with a bachelor’s degree. She is attempting to make a living with art (not specifically selling her own artistic creations). She has a slight obsessive-compulsive tendency and is immersed in things that provide a sense of order, such as forms, data, and parameters. She enjoys hands-on craftsmanship and turning concepts into reality. She dreams of having the ability to help others bring their creations to life while pursuing her own artistic endeavors.
液/态/计/划
液态（Liquid)
作为一种物质的自然基本形态，
不定而凝聚。
液态计划由 SIMA 自由艺术工作室师生共同发起，
作为教学机构浸润于当下的艺术生态。
http://liquid.dome.me/
跨媒体艺术学院是中国美术学院最新锐的学科集群，也是中国第一所真正意义上的实验艺术学院，聚集了一批具有国际影响力的艺术家与学者，拥有一支高水平的国际化教学团队，2010年被美国《亚太艺术》杂志评为“亚洲最值得期待的当代艺术教育机构”。
跨媒体艺术学院的学术宗旨在于：促进媒体技术开发，推动当代艺术实验，从媒体中发掘创意，从技术中发显人文；以媒体实验、艺术创作、社会思想、策展实践四维互动的格局，在国际平合上推动当代艺术的跨学科研究和跨领域实践。学院专业一方面提供最前沿的新媒体艺术创作与媒体设计的训练，另一方面，强调社会思想与艺术策划的智识培养；注重媒体手段与思想方法的综合训练，致力于培养掌握新媒体技术、具有实验精神和创新能力的当代艺术与媒体创意人才。
