2018  烁园—管怀宾作品展，澳门艺术博物馆，中国，澳门

2016   蚀光——管怀宾作品展，杭州空谷艺术空间，中国，杭州

2015   无人界——管怀宾作品展，杭州人可当代艺术中心，中国，杭州

2012   悬园——管怀宾作品展，天仁合艺.艺术中心，中国，杭州

度园——管怀宾作品展，三尚当代美术馆，中国，杭州

2008   过/园——管怀宾作品展，苏州本色美术馆，中国，苏州

低空，井ART画廊 , 中国，上海

2004   吟游的诗人，东京SOL画廊，日本，东京

对局，东京YOU艺术空间，日本东京

诗人的回廊，东京艺术大学美术馆，日本，东京

2002   浸透的都市， 埼玉县立近代美术馆，日本，埼玉

精神支柱，千叶画廊MUTSU ，日本，千叶

2000   观石，苏州环秀山庄，中国，苏州

逍遥游，横浜美术馆，日本，横浜

1999   它方之音，东京调布—PLAZZ画廊，日本，东京

八方之音，东京同和火灾保险艺术画廊，日本，东京

1998   回旋的音，埼玉县立近代美术馆，日本埼玉

1997   边缘航线，国立埼玉大学艺术画廊，日本，琦玉

1996    天地的情念，大宫ALPINE画廊，日本，埼玉

2018   Sparkling Garden — Guan Huaibin’s Solo Exhibition, Macao Art Museum, Macao, China

2016   Eclipse — Guan Huaibin’s Solo Exhibition, KOGO Art Space, China, Hangzhou

2015   Sphere without Anybody — Guan Huaibin’s Solo Exhibition, Renke Art Center, Hangzhou, China

2012   Garden in Suspense — Guan Huaibin’s Solo Exhibition, TIAN REN HEART, Hangzhou, China

Garden of Meditation — Guan Huaibin’s Solo Exhibition, Sanshang Museum of Contemporary Art, Hangzhou, China

2008   The Garden of Forking Paths — Guan Huaibin’s Solo Exhibition, True Color Museum, Suzhou, China

Low Sky, Jing Art Gallery, Shanghai, China

2004   Opposition, Tokyo You Art Space, Tokyo, Japan

Journey of a Poet, Tokyo Gallery, Sol, Tokyo, Japan

Match Up, YOU Art Space, Tokyo, Japan

Poet’s corridor, Museum of Tokyo National University of Fine Arts and Music, Tokyo, Japan

2002    Landscape by Chinese Ink, Museum of Modern Art, Saitama, Japan

The Sprit’s Support, Gallery MUTSU, Chiba, Japan

2000   Viewing the Stone, Huanxiu Shanzhuang, Suzhou, China

Xiao Yao You, Yokohama Museum of Art, Yokohama, Japan

1999   The Sound from the Opposite Side, Tokyo Chofu Plaza Gallery, Tokyo, Japan

Sounds from All Directions, Tokyo Dowa Kasai Gallery, Tokyo, Japan

1998   Roundabout Sound, Saitama County Museum of Modern Art, Saitama, Japan

1997   Edge Route, National Saitama University Art Gallery, Saitama, Japan

1996   The Passion of Heaver & Earth, ALPINE Art Gallery, Japan, Saitama

2021

时间舱-国际当代艺术展，仓美术馆，中国杭州

后疫时代-“内卷了吗？”，人可艺术中心，中国杭州

重启-首届龙坞酒神艺术节主题展，龙坞茶镇，中国杭州

情怀-相逢与擦肩，半日美术馆，中国汕头

2020

修禊事也——长三角地区高校艺术联盟当代艺术展，绍兴市柯桥美术馆，中国绍兴

爱LOVE，上海M50极艺轩，中国上海

守拙·家园2020，苏州拙政园管理处、苏州园林博物馆，中国苏州

早期风格-艺术计划2，天津三三画廊，中国天津

第六届国际跨媒体艺术节-近未来，可能生活：邀请展单元，华茂艺术教育博物馆，中国宁波。

谜物心神，广州顺历空间，中国广州

明珠影画院——广州当代艺术博览会-影像单元，广州市明珠影画院，中国广州

2020

未来历史学，南京师范大学美术馆，中国南京

梦无界—第三届宁波杭州湾新区国际公共艺术小稿邀请展，宁波杭州湾新区展览中心，中国宁波

雅集兴答：第六届杭州中国画双年展——特邀雅集艺术家单元，浙江省美术馆，中国杭州

2019

铸金炼课-2018年度研究生核心课程十五案，中国美术学院美术馆，中国杭州

纸张交换，英国BARRY艺术中心，英国伦敦

新地标-十二个艺术家和他们的水墨作品》，南京宏今美术馆，中国南京

开化寺艺术节：对话-2019高平当代艺术展，山西开化寺，中国高平

策展课—策展与设计，深圳华美术馆，中国深圳

庙与会-2019第五届许村国际艺术节，许村国际艺术节展厅，中国许村

东方印迹-中日艺术交流展，东京中国文化中心，日本东京

相遇-2019上海城市艺术季，上海城市艺术季展厅，中国上海

中国表达，上海可-美术馆， 中国上海

共同的神话—第二届安仁双年展，安仁华侨城，中国安仁

为何一切尚未消失，天津市三三画廊，中国天津

书非书——2019杭州国际书法艺术节，中国美术学院美术馆，中国杭州

20世纪中国美术南通现象研究展，中国国家画院美术馆，中国北京

素描展，南京师范大学美术馆，中国南京

寒山-寒山美术馆两周年主题展，苏州寒山美术馆，中国苏州

2019

深港城市建筑双城双年展，深圳市，中国深圳

2019

南京水墨艺术双年展，南京师范大学美术馆，中国南京

2018

视觉的诗：面向真实的时间，德国卡塞尔贝尔维尤宫《原卡塞尔格林兄弟博物馆，德国卡塞尔

融@拓-中国.沈阳当代艺术邀请展，沈阳拓空间，中国沈阳

新编历史剧，北京当代唐人艺术中心第二空间，中国北京

大隐于石-当代国际水墨邀请展，苏州基业艺术馆，中国苏州

平行.上海-国际当代艺术邀请展，上海可美术馆，中国上海

出梅-当代杭州2018，杭州金彩画廊，中国杭州

融频-刷新—科技艺术互动大展，凤凰-威狮国际艺术中心，中国福州

扫描山水—关于山水问题的当代艺术现场，苏州寒山美术馆，中国苏州

‘延伸的空间’—2018东莞雕塑装置艺术节，东莞铂尔曼酒店，中国东莞。

视觉的诗——跨媒体艺术学院与卡塞尔大学艺术学院影像交流 展，中国美术学院美术馆，中国杭州

城墙之外—2018西安当代艺术展，西安美术馆，中国西安

有机共同体—公共艺术展北大资源文化双创园，北大资源文化双创园，中国北京

人水之间—朱家角2018展，上海可美术馆，，中国上海

玄园之光-坂口宽敏、管怀宾展，上海22画廊，中国上海

哲匠之道—中国美术学院旧金山特展，旧金山美术学院美术馆，美国旧金山

守望原乡—2018广安田野双年展，中国武胜

‘广州三年展—加速未来’平行展：未来进行时-中国当代艺术邀请展，广州紫泥堂艺术中心，中国广州

2017

南京艺术学院美术馆五周年特展，南京艺术学院美术馆，中国南京

2017深港城市建筑双年展，深圳罗湖双年展会场，中国深圳

潜存的欢愉”当代艺术展，广州柯木朗艺术园，中国广州

“都市游牧”2017杭州良渚大屋顶国际动态影像展，杭州良渚文化艺术中心，中国杭州

“迭代与交融”第四届北京电影学院国际新媒体艺术三年展，北京798艺术中心悦美术馆，中国北京

纸质的次元空间，南京师范大学美术学院美术馆，中国南京

丽水摄影节：特邀主题展-移山止水，丽水摄影节主展馆，中国丽水

Open Books-艺术家与他们的中国册页，美国康涅狄格大学图书馆，美国康涅狄格

“别处即此处”大型装置艺术法国巡展，法国普罗旺斯萨拉贡美术馆，法国普罗旺斯

开放的天空展，杭州人可艺术中心，中国杭州

中国当代艺术年鉴展2016，北京民生现代美术馆、北京大学视觉与图像研究中心，中国北京

艺术的纽带·宁波——中日当代艺术家交流展，宁波美术馆，中国宁波

紫藤花开——83届校友展，，苏州工艺美术职业技术学院美术馆，中国苏州

万丈高楼平地起——第二届长江国际影像双年展，重庆长江当代美术馆，中国重庆

远方——当代艺术展，苏州N9艺术中心，中国苏州

冷光——世纪之交的旅日五人展，南京艺术学院美术馆 ，中国南京

中国美术南通现象——如东书画家邀请展，南通崇川美术馆，中国南通

非常西湖——首届西湖艺术现场，中国美术学院美术馆，中国杭州

教学相长——第三届学院实验艺术文献展，中央美术学院美术馆 ，中国北京

2016

十夜——BMCA艺术文件展，草场地艺术村，中国北京

纸·上——当代艺术邀请展，罗湖美术馆，中国深圳

醒·石·记——苏州基业美术馆开馆展，基业美术馆，中国苏州

从绘画到动画，苏州金鸡湖美术馆，中国苏州

别处即此处——大型装置艺术国际巡展，青岛西海岸经济新区，中国青岛

石膏像——视觉经验与文化身份背景下的中国现代性，亿利艺术馆，中国北京

别日世界——沙门粮库文创园当代艺术现场，沙门粮库仓库创意园，中国台州

逸气旁出——白马当代艺术邀请展，杭州滨江星光大道商业中心，中国杭州

AMNUA2015国际影像论坛，南京艺术学院美术馆 ，中国南京

望山·乐水——公望艺术园开园·山居美术馆首展，山居美术馆，中国杭州

2015

浴火——当代艺术展，白马当代艺术中心，中国杭州

演绎——南京师范大学美术学院美术馆开馆系列展，南京师范大学美术馆，中国南京

以身观身——中国行为艺术文献展2015，澳门艺术博物馆，中国澳门

被占有和遗忘的光——2015集美·阿尔勒国际摄影季，厦门国际园林博览苑，中国厦门

艺术的纽带——2015TSA中日交流展，梧桐美术馆，中国上海

我思我在——纪念85美术思潮30周年展，更斯艺术馆，中国南京

倒叙的美术史——中国当代艺术的另一种线索，亿利艺术馆，中国北京

Open Books——艺术家与他们的中国册页，温州当代艺术馆 ，中国温州

水与土的艺术节2015，新泻市海岸公园，日本新泻

教学的力量——中国当代艺术教学的十一个个案，上海喜玛拉雅美术馆，中国上海

园林·异景——中国当代艺术邀请展，苏州金鸡湖美术馆，中国苏州

同·异——中日现代美术家作品展，东京中国文化中心，日本东京

书非书——2015杭州国际现代书法艺术展，中国美术学院美术馆，中国杭州

是非——首届长江国际影像双年展，重庆长江当代美术馆，中国重庆

自选——水墨作为材料，春美术馆，中国上海

不在现场：感官阈值与一种在地性的漂移，南京艺术学院美术馆，中国南京

当代进行时——2015中国当代艺术邀请展，明圆当代美术馆，中国上海

湖山·旦暮——中国当代艺术西湖之径，三尚当代艺术馆 ，中国杭州

2014

Open Books——艺术家与他们的中国册页，香港中文大学艺术馆 ，中国香港

环球视野——云间美术馆开馆展，云间美术馆，中国上海

光州美术馆驻馆项目，光州美术馆，韩国光州

2014

武汉第三届美术文献展，湖北美术馆，中国武汉

南京国际美术展——资深艺术家特邀作品展，南京国际博览中心，中国南京

纸.在 2013—2014艺术跨年展，天津美术馆，中国天津

碧云轩艺术馆开馆展，碧云轩艺术馆，中国常熟

江南叙事——当代艺术展，南京可一美术馆，中国南京

2013

在处: 学院力量──中国美术学院师生作品展，关山月美术馆，中国深圳

亚洲的艺术态度2013@当代水墨艺术展，香港云峰画苑艺术馆，中国香港

语言的边界，NOMADE画廊，中国杭州

2013

香港巴塞尔艺术展——艺聚空间，香港香港会议展览中心，中国香港

未曾呈现的声音：中国独立艺术展(1979至今)——第55届威尼斯艺术双年展，意大利威尼斯

意象——上海喜玛拉雅美术馆新馆开馆展，上海喜玛拉雅美术馆，中国上海

从卡塞尔走来——漳州国际公共艺术展，漳州碧湖生态公园，中国漳州

艺术家日常生活史Ⅰ：玩物主义，蓝顶美术馆，中国成都

水墨档案（第一回）——中韩当代水墨邀请展，南京艺术学院美术馆、韩国济州特别自治道政府，中国南京、韩国济州

反射：他者的叙述，上海大学美术学院99创意中心，中国上海

林泉：书画与造园，杭州西博会博物馆，中国杭州

2013

Why not！首届拍卖双年展，上海世博会博物馆，中国上海

Open Books——艺术家与他们的中国册页，三尚当代艺术馆 ，中国杭州

自律与思辩·2013 第三届北京电影学院国际新媒体艺术三年展，北京电影学院，中国北京

书视界—2013国际现代书法艺术展，信雅达·三清上艺术中心，中国杭州

2012

个园——中日当代艺术展，杭州人可画廊，中国杭州

记忆的穿越——苏州金鸡湖美术馆开馆展，苏州金鸡湖美术馆，中国苏州

无界之醉——2012当代艺术家提名展，一山美术馆，中国南京

墨测高深——当代艺术展，证大当代艺术空间，中国上海

水与土艺术祭2012，新泻市海滨公园，日本新泻

证据——当代艺术展，新时代画廊，中国北京

大道之行——中国当代公共艺术展（2012中德文化年项目），德国卡塞尔

兰亭书法公社——书法双年展，浙江省美术馆

C.A.J.艺术家工作营——管怀宾、卢意作品展，日本琦玉县立近代美术馆，日本琦玉

亚洲实验电影与录像艺术论坛，南京大学放映厅，中国南京

水陆相望——2012中国杭州第四届西湖国际雕塑邀请展，杭州西溪湿地公园，中国杭州

回家的路——第九届上海双年展特别项目：明园·中山公园计划，上海浦东机场美术馆，中国上海

2011

醒墨·杭州跨年展, 三尚当代美术馆，中国杭州

2011

天仁合艺——中国新绘画年展, 天仁合艺·艺术中心，中国杭州

乡愁与相遇—— 一个视觉文化文本, 南京青和当代美术馆，中国南京

日用·常行——2011成都双年展特别邀请展, 成都当代美术馆，中国成都

时代精神——中国先锋艺术的精神，佛罗里达高尔夫海岸大学综合艺术画廊，美国佛罗里达

2010

2010 CONTEMPORARY ART FESTIVAL NEBULA，埼玉县立近代美术馆，日本埼玉

轨迹与质变——第二届北京电影学院国际新媒体艺术三年展, 北京电影学院，中国北京

三生万物——当代艺术展, 证大当代艺术陈列馆，中国上海

2010

书非书——杭州国际现代书法艺术展，中国美术学院美术馆，中国杭州

中国性——当代艺术研究文献展，苏州本色美术馆，中国苏州

山寨——当代艺术展, 柏林维森斯艺术学院美术馆，德国柏林

2009

时空的经纬，上海2010艺术中心，中国上海

左·右当代艺术展，尚东当代艺术中心，中国南京

水与土的艺术展，新泻市海岸公园，日本新泻

2009

越后妻有艺术三年展，越后妻有、津南，日本新泻

起点——介入艺术生活366天，上海证大现代艺术馆，中国上海

2008

以身观身——中国行为艺术文献展2008，澳门艺术博物馆，中国澳门

水木境天——北京电影学院新媒体艺术三年展，北京电影学院，中国北京

时间以外的旅行——中国杯海滩艺术展，深圳南澳七星湾，中国深圳

2008

“新动力·中国” 当代艺术双年展，原弓美术馆，中国上海

KOEDO KAWAGOE LIVE ART 2008，川越艺术空间，日本川越

五谷杂粮——当代艺术展，中国美术学院美术馆，中国杭州

四季——中国当代艺术展，中国美术学院，中国杭州

2007

水·墨·单色的世界，上野旧板本小学，日本东京

2007

首届今日文献展，今日美术馆，中国北京

独乐·众乐——中国当代公共艺术展，日中友好会馆美术馆，日本东京

神户双年展2007，Kobe Meriken Park，日本神户

被枪毙的方案，可·当代艺术中心，中国上海

开FUN——2007台北国际现代书法展，台北市立美术馆，中国台北

出轨——中国当代艺术展，合肥金色地带地下空间，中国合肥

意外·失控——当代艺术展，KU艺术中心中国北京

2006

2006北京电影学院新媒体艺术国际互动，北京电影学院，中国北京

我们的障碍——当代艺术展，艺事后素现代美术馆，中国南京

SATELLITE——当代艺术暨设计年展，杨树浦当代艺术馆，中国上海

渡——当代水墨方式展，天津美术学院美术馆，中国天津

以物之名——当代艺术展，海上山艺术中心，中国上海

超设计——2006上海双年展，上海美术馆，中国上海

显微·境观——中国当代艺术展，澳门艺术博物馆，中国澳门

2005

寓·言——中国当代艺术展，杭州六合天寓，中国杭州

书·非书——开放的书法时空，中国美术学院美术馆，中国杭州

2005

CONTEMPORARY ART FESTIVAL NEBULA，埼玉县立近代美术馆，日本埼玉

进与出或之间——空间位移的N种方式，索卡当代空间，中国北京

2004

2004中国新媒体艺术节，中国美术学院，中国杭州

Voice of Site——当代艺术邀请展，东京艺术大学美术馆，日本东京

2003

NAXOS FESTIVD当代艺术展，Naxos艺术中心，希腊纳克索斯

2003

ABIKO 野外艺术展，Abiko市，日本千叶

2002

异域方式，金泽ASANOKAWA画廊，日本金泽

ONE FOURTEEN GALLERY，筑波美术馆，日本茨城

2001

立川国际艺术节，东京都立川市，日本东京

ON THE EDGES 国际艺术邀请展，立匋宛国立艺术中心，立陶宛

2000

SO，东京造型大学曼兹美术馆，日本东京

就在这儿 没错——中国现代艺术家展，PLAZZ画廊，日本东京

1999

第二届FUJINO国际艺术研讨会——野外展，日本神奈川

1998

98WALDING MUSEUM，新宿高岛屋，日本东京

1997

97CONTEMPORARY ART FESTIVAL，埼玉县立近代美术馆，日本埼玉

1996

管怀宾、章之君展，埼玉县立近代美术馆，日本埼玉

1995

亚洲现代美术展，东京都美术馆，日本东京

2021

Time Capsule — International Contemporary Art Exhibition, Cang Art Museum, Hangzhou, China

In the Post Epidemic Era, “Are You Involuted?”, Renke Art Center, Hangzhou, China

Restart — Theme Exhibition of the First Longwu Dionysus Art Festival, Longwu Tea Town, Hangzhou, China

Sentiment — Meet and Lost, Banri Art Museum, Shantou, China

2020

Contemporary Art Exhibition of University Art Alliance in Yangtze River Delta, Keqiao Art Museum, Shaoxing, China

Love, So Art in Shanghai M50, Shanghai, China

Guard · Home 2020, Suzhou Zhuozheng Garden Management Office, Suzhou Garden Museum, Suzhou, China

Early Style Art Project 2, Sun Sun Art, Tianjin, China

Near Future, Possible Life — The 6th International InterMedia Art Festival, invitational exhibition unit, Huamao Art Education Museum, Ningbo, China

Enigma, Shun Luck Space, Guangzhou, China

Mingzhu Cinema — Guangzhou Contemporary Art Expo — Image Unit, Guangzhou Mingzhu Cinema, Guangzhou, China

Future History Study 2020, Art Museum of Nanjing Normal University, Nanjing, China

Boundless Dream — The Third International Invitational Exhibition of Public Art Draft of Hangzhou Bay New Area, Ningbo, China

Yaji Xingda — The 6th Hanghzou Chinese Painting Biennale, Invitational Unit, Zhejiang Art Museum, Hangzhou, China

2019

Casting Gold and Refining Courses — 15 Core Courses for graduate students in 2018, CAA Art Museum, Hangzhou, China

Paper Exchange, Barry Art Centre, London, UK

New Landmarks — 12 artists and their ink works, Hongjin Art Museum, Nanjing, China

Kaihua Temple Art Festival: Dialogue — 2019 Gaoping Contemporary Art Exhibition, Kaihua temple, Shanxi, Gaoping, China

Curation Class — Curation and design, Hua Museum, Shenzhen, China

Temple and Temple Fair –- 2019 the 5th He Shun Xucun International Art Festival, Exhibition Hall of Xucun International Art Festival, Xucun, China

East Imprint — Sino Japanese Art Exchange Exhibition, Tokyo Chinese Cultural Center, Tokyo, Japan

Encounter — 2019 Shanghai Urban Art Season, Exhibition Hall of Shanghai Urban Art Season, Shanghai, China

China expression, Ke Art Museum, Shanghai, China

Common Myth – The 2nd Anren Biennale, Huaqiao Town, Anren, China

Why Hasn’t Everything Disappeared?, Sun Sun Art, Tianjin, China

Writing/Non-Writing — Hangzhou International Modern Calligraphy Festival, Museum of China Academy of Art, Hangzhou, China

Research Exhibition of Nantong Phenomenon of Chinese Art in 20th Century, Museum of National Academy of Painting, Beijing, China

Sketch Exhibition, Art Museum of Nanjing Normal University, Nanjing, China

Hanshan — Theme Exhibition of the 2nd Anniversary of Hanshan Art Museum, Hanshan Art Museum, Suzhou, China

Bi-city Biennale of Urbanism \ Architecture 2019, Shenzhen, China

2019 Nanjing Ink Art Biennale, Art Museum of Nanjing Normal University, Nanjing, China

2018

Poetry of Vision: Facing Real Time, Palais Bellevue (the original Grimmwelt), Kassel, Germany

Fusion & Extension, Shenyang Contemporary Art Invitational Exhibition, Shenyang extension space, Shenyang, China

New Historical Drama, the second space of Contemporary Tang Art Center, Beijing, China

Hidden in Stone — Contemporary International Ink Painting Exhibition, Jiye Art Museum, Suzhou, China

Parallel. Shanghai — International Contemporary Art Invitational Exhibition, Ke Art Museum, Shanghai, China

Finishing the Raining Season — Contemporary Hangzhou 2018, Jincai Gallery, Hangzhou, China

Reconnect· Renovate — Technology and Art Interactive Exhibition, Phoenix-See Well International, Fuzhou, China

Scanning Mountains and Rivers — Contemporary Art Site about Shanshui, Hanshan Art Museum, Suzhou, China

“Extended space” — 2018 Dongguan Sculpture Installation Art Festival, Pullman Hotel, Dongguan, China

Visual Poetry: Image Exchange Exhibition between School of Intermedia Art and Art Academy of Kassel University, CAA Art Museum, Hangzhou, China

Beyond the City Wall — 2018 Xi’an Contemporary Art Exhibition, Xi’an Art Museum, Xi’an, China

Organic Community — Public Art Exhibition, PKU Resources Double Pioneer Park, Beijing, China

Between People and Water — Zhujiajiao 2018, Ke Art Museum, Shanghai, China

Light of Garden of Profoundness – Exhibition of Hirotoshi Sakaguchi and Guan Huaibin, 22 Gallery, Shanghai, China

From/To: The Frontier of Chinese Art Education, San Francisco Art Institute Museum, San Francisco, USA

Keep Watching Hometown — 2018 Guang’an Field Biennale, Wusheng, China

Parallel Exhibition of “Guangzhou Triennial — Accelerating the Future”: Future in Progress – China Contemporary Art Invitational Exhibition, Guangzhou Zini Town Art Center, Guangzhou, China

2017

Special Exhibition for the 5th Anniversary of the Art Museum of Nanjing Art University, Art Museum of Nanjing Art University, Nanjing, China

Bi-city Biennale of Urbanism \ Architecture 2017, Luohu Biennale Exhibition Space, Shenzhen, China

“Hidden joy” — Contemporary Art Exhibition, Kemulang Art Valley, Guangzhou, China

“Urban Nomadic” 2017 Hangzhou Liangzhu International Moving Image Exhibition, Liangzhu Culture and Art Center, Hangzhou, China

“Iteration and Blending” — The 4th International New Media Art Triennial of Beijing Film Academy, Yue Art Museum in 798 Art Center, Beijing, China

Dimensional Space of Paper, Art Museum of Academy of Art of Nanjing Normal University, Nanjing, China

Lishui Photography Festival: Invitational Theme Exhibition — Moving Mountains and Stopping Water, Main Exhibition Hall of Lishui Photography Festival, Lishui, China

Open Books — Artists and Their Chinese Albums, University of Connecticut Library, Connecticut, USA

“Elsewhere Is Here ” Large Scale Installation Art Tour in France, Saragon Gallery, Provence, France

Open Sky, Renke Art Center, Hangzhou, China

Annual Exhibition of Contemporary Art of China 2016, Minsheng Art Museum, Beijing, China

The Bond of Arts · Ningbo – Communication Exhibition between Chinese and Japanese Artists, Ningbo Museum of Art, Ningbo, China

Wisteria Blossom: The Exhibition of 83th Alumni, Art Museum of Suzhou Art & Design Technology Institute, Suzhou, China

Rip It Up — The Second Changjiang International Photography & Video Biennale, Changjiang Museum of Contemporary Art, Chongqing, China

Distance — Contemporary Art Exhibition, N9 Art Center, Suzhou, China

Luminescence: Studying in Japan & Making in China, Art Museum of Nanjing University of the Arts, Nan Jing, China

Nantong Phenomenon of Chinese Art: Rudong Invitational Exhibition of Calligraphy and Painting, Chongchuan Art Museum, Nantong, China

The Unusual West Lake: The First Art Scene of West Lake Photo Exhibition, CAA Art Museum & Ningbo Museum of Art, Hangzhou & Ningbo, China

Reciprocal Enlightenment: 3rd Literature Exhibition of Experimental Art in Academies, CAFA Art Museum, Beijing, China

2016

The Decameron: BMCA Art Document Exhibition, Caochangdi International Art Village, Beijing, China

On Paper: Invitational Exhibition of Contemporary Art, Luohu Art Museum, Shenzhen, China

Wake & Stone & Record: Jiye Opening Exhibition of Contemporary Art, Jiye Art Museum, Suzhou, China

From Painting to Animation, Jinji Lake Art Museum, Suzhou, China

Elsewhere is Here — Art Exhibition of Large Installations, Qingdao West Coast New Economic District, Qingdao, China

Models: The Visual Experiences and Cultural Identity of Chinese Modernity, Elion Art Gallery, Beijing, China

Other World: Contemporary Art Scene at Shamen Granary Cultural Creation Park, Shamen Granary Cultural Creation Park, Taizhou, China

Transcending Spirit: Baima Contemporary Art Exhibition, Commercial Center of Star Avenue in Binjiang, Hangzhou, China

Amnua2015 International Video Forum, NAU Art Museum, Nanjing, China

Enjoying the Mountains and Rivers — Opening Exhibition of Gongwang Vision Town & Shanju Art Museum, Shanju Art Museum, Hangzhou, China

2015

Born from Fire — Contemporary Art Exhibition, Baima Contemporary Art Center, Hangzhou, China

Performance – Opening Exhibition of Art Museum of Nanjing Normal University, Nanjing, China

Inward Gazes: Documentaries of Chinese Performance Art, Macao Museum of Art, Macao, China

The Light that Is Possessed and Forgotten: Jimei-Arles International Photo Festival, Xiamen Garden Expo, Xiamen, China

The Bond of Arts: 2015 TSA Exchange Exhibition for China and Japan, Wutong Art Museum, Shanghai, China

I Think Therefore I Be – 30 Years Anniversary for 85 Art Wave, Gengsi Art Museum, Nanjing, China

Art History Flashbacks: Another Path in Chinese Contemporary Art, Elion Art Gallery, Beijing, China

Open Books — Artists and Their Chinese Albums, Wenzhou Museum of Contemporary Art, Wenzhou, China

Niigata Water and Land Art Festival 2015, Niigata City, Japan

Power of Education: 11 Cases of Contemporary Art Education in China, Shanghai Himalayas Museum, Shanghai, China

Garden & Splendors: Chinese Contemporary Art Invitational Exhibition, Suzhou Jinji Lake Art Museum, Suzhou, China

Common/Difference: The Exhibition of Sino-Japanese Artists’ Works, China Culture Center, Tokyo, Japan

Writing/Non-Writing: Hangzhou International Modern Calligraphy Exhibition 2015, CAA Art Museum, Hangzhou, China

Real/Unreal: The First Changjiang International Photography & Video Biennale, Changjiang Museum of Contemporary Art, Chongqing, China

Self-Selection — Water Ink as the Only Material, Chun Art Museum, Shanghai, China

Not on Site: Absolute Threshold and a Type of Site-specific Drift, Art Museum of Nanjing University of the Arts, Nanjing, China

Contemporary in Process: The Invitational Exhibition of Chinese Contemporary Art 2015, Ming Contemporary Art Museum, Shanghai, China

Heritage & New Scenery: A Contemporary Historical Path by the West Lake, Sanshang Contemporary Art Museum, Hangzhou, China

2014

Open Books — Artists and Their Chinese Albums, Logan Regional Gallery, Art Museum, of the Chinese University of Hong Kong, Hong Kong, China

Global vision — Opening Exhibition of Yunjian Art Museum, Yunjian Art Museum, Shanghai, China

The Art Project of Gwangju Museum of Art, Gwangju Museum of Art, Gwangju, Korea

Re-Modernization: 2014 Wuhan 3rd Documentary Exhibition of Fine Arts, Hubei Museum of Art, Wuhan, China

Nanjing International Art Festival — Invitational Exhibition of Senior Artists 2014, Nanjing International Expo Center, Nanjing, China

Paper & Existence: 2013-2014 Art Cross-Year Exhibition, Tianjin Art Museum, Tianjin, China

The Opening Exhibition of Beauty Art Gallery, Beauty Art Gallery, Changshu, China

Jiangnan Narrative — Contemporary Art Exhibition, Keyi Art Museum, Nanjing, China

2013

Live & Place: The Power of Academy — China Academy of Art, Guan Shanyue Art Museum, Shenzhen, China

Asian View of Art 2013 @ Contemporary Ink Art Exhibition, Wan Fung Art Gallery, Hong Kong, China

The Boundary of Language, NOMADE Gallery, Hangzhou, China

Encounters — 2013 Art Basel HK, Hong Kong Convention and Exhibition Center (HKCEC), Hong Kong, China

Voice of the Unseen — Chinese Independent Art 1979 to Today, 55th Venice Biennale, Venice, Italy

Insightful Charisma — Shanghai Himalayas Museum Inaugural Exhibition, Himalayas Museum, Shanghai, China

Coming from Kassel — Zhangzhou Exhibition of Public Art, Green Lake Ecological Park, Zhangzhou, China

Artist’s Trivial Living Ⅰ: Object – Runminationism, Blue Roof Museum, Chengdu, China

Ink Files Ⅰ — China and South Korea Contemporary Ink Painting Invitational Exhibition, Art Museum of Nanjing University of the Arts, Nan Jing, China; Establishment of Cheju Special Self-Governing Province, Cheju, Korea

Reflex: Depiction of Others, 99 Art Center, Fine Arts College of Shanghai University, Shanghai, China

Hermit’s Springs: Calligraphy, Landscape Painting and Garden-making, West Lake Expo Museum, Hangzhou, China

Why Not! — Auction Biennale, World Expo Museum, Shanghai, China

Open Books — Artists and Their Chinese Albums, Sanshang Contemporary Art Museum, Hangzhou, China

Self-discipline and Speculation: 2013 3rd Beijing Film Academy International New Media Arts Triennial Exhibition, Beijing Film Academy, Beijing, China

Calligraphy Vision — 2013 International Modern Calligraphy Art Exhibition, Sunyard Art Center, Hangzhou, China

2012

Micro Gardens — China and Japan Contemporary Art Exhibition, Renke Art Center, Hangzhou, China

Passing through Memory — Jinji Lake Art Museum Opening Exhibition, Jinji Lake Art Museum, China, Suzhou

A New Spirit in Ink — An Exhibition of Cutting-edge Ink Art, Zendai Museum of Modern Art, Shanghai, China

Water and Land — Niigata Art Festival, Niigata City, Japan

Evidence — Contemporary Art Exhibition, New Age Art Gallery, Beijing, China

Road trip — Chinese Contemporary Public Art Exhibition, Kassel, Germany

Lanting Calligraphy Community — Calligraphy Biennale, Zhejiang Art Museum

C.A.J Artist in Residence — Contemporary Art in China, Museum of Modern Art, Saitama, Japan

EXIN 2012 Asian Experimental Film and Video Art Forum, Nanjing University Cinema, Nanjing, China

Gazing Between Water and Land — 2012 the Fourth Westlake International Invitational Sculpture Exhibition, Xixi National Wetland Park, Hangzhou, China

On the Way Home — The 9th Shanghai Biennale Special Project: Mingyuan – Zhongshan Park, Shanghai Pudong Airport Art Museum, Shanghai, China

2011

Decanter Ink: Hangzhou Cross-Year Exhibition, Sanshang Contemporary Art Museum, Hangzhou, China

Tian Ren He Yi — New Painting of China Exhibition, Tian Ren He Yi Center, Hangzhou, China

Nostalgia and Encounter — A Visual Cultural Text, Nanjing Qinghe Museum of Contemporary Art, Nanjing, China

Chengdu Biennale — Special Invitational Exhibition, Chengdu MOCA l, Chengdu, China

Spirit of the Time — The Spirit of the Chinese Avant-Garde, FGCU Main Art Gallery, America, Florida

2010

2010 Contemporary Art Festival Nebula, Saitama Modern Art Museum，Saitama, Japan

Trace & Qualitative Leap — The Second Beijing Film Academy New Media Art Triennial, Beijing Film Academy, Beijing, China

2010 Contemporary Art Festival Nebula, Museum of Modern Art, Saitama, Japan

San Sheng Wan Wu – Contemporary Art Exhibition, Shanghai Zendai Contemporary Art Exhibition Hall, Shanghai, China

Writing / Non-Writing: 2010 International Modern Calligraphy Exhibition, China Academy of Art Museum, Hangzhou, China

Nature of China — Contemporary Art Documenta, True Color Museum, Suzhou, China

Shanzhai — Researching the Culture of Copying, Berlin Weißensee School of Art, Berlin, Germany

2009

Points & Crosses, Shanghai 2010 Arts Center, Shanghai, China

Left & Right — Contemporary Art Exhibition, Shangdong Art Center, Nanjing, China

Niiata Water and Land Art Festival 2009, Niigata City, Japan

Echigo-Tsumari Art Triennial 2009, Echigo-Tsumari, Tsunan, Niigata, Japan

A Starting Point — Intrude Art & Life 366, Zendai Museum of Modern Art, Shanghai, China

2008

Documentaries of Chinese Performance Art 2008, Macao Museum of Art, China, Macao

Water·Wood·Situation·Sky — New Media Art Triennial of Beijing Film Academy, Beijing Film Academy, Beijing, China

The Voyage Beyond Time — China Cup Beach Art, Qi Xing Wan, Nan’ao of Longgang District, Shenzhen, China

2008 New Power — China Contemporary Art Biennale 2008, Yuangong Art Organization, Shanghai, China

Koedo Kawagoe Live Art 2008, Kawagoe Art Center, Kawagoe, Japan

Unpack — Chinese Contemporary Art, China Academy of Art, Hangzhou, China

Four Seasons — The 3rd China Media Art Festival, China Academy of Art, Hangzhou, China

2007

Water. Ink. World of Monochrome, Ueno Town Art Museum, Tokyo, Japan

The First Today’s Documents 2007, Today Art Museum, Beijing, China

Self-Entertainment or Shared Enjoyment, Japan-China Friendship Center Art Museum, Tokyo, Japan

Kobe Biennale 2007, Kobe Meriken Park, Kobe, Japan

Rejected Collection, Ke Center for the Contemporary Arts, Shanghai, China

Open Fun — 2007 Taipei International Modern Calligraphy Exhibition, Taipei Fine Arts Museum, Taipei, China

Overstep the Bounds – Chinese Contemporary Art, U-Town, Hefei, China

Unexpected — Out of Control, KU Art Center, Beijing, China

2006

2006 New Media Art Lab of BFA, Beijing Film Academy, Beijing, China

Our Impediment, White Canvas Gallery, Nanjing, China

Satellite — Contemporary Art, Vanguard Gallery, Shanghai, China

DU — Water and Ink Painting, Art Museum of Tianjin Academy of Fine Art, Tianjin, China

In the Name of Material, HSS Art Centre, Shanghai, China

Hyper Design — 2006 Shanghai Biennale, Shanghai Museum of Art, Shanghai, China

Microcosm — Chinese Contemporary Art, Macao Museum of Art, Macao, China

2005

In the Deep of Reality: A Case of Chinese Contemporary Art, Hangzhou, China

Writing/Non-Writing: The Open Space for Chinese Calligraphy, China Academy of Art, Hangzhou, China

2005 Contemporary Art Festival Nebula, Museum of Modern Art, Saitama, Japan

In and Out or In-Between — N Kinds of Space Displacement, Soka Contemporary Space, Beijing, China

2004

Media Art Festival of China, China Academy of Art, Hangzhou, China

Voice of Site — Tokyo-Chicago-New York, The University Art Museum, Tokyo, Japan

2003

Naxos FESTIVD, Naxos Art Center, Naxos, Greece

Abiko Open Air Exhibition 2003, Abiko, Chiba, Japan

2002

The Way of Different Fields, Kanazawa Asanokawa Gallery, Kanazawa, Japan

One Fourteen Gallery, Tsukuba Museum of Art, Tsukuba, Japan

2001

Tachikawa International Art Festival, Tachikawa, Tokyo, Japan

On the Edges — International Symposium, Lithuania Art Center, Vilnius, Lithuania

2000

SO Exhibition, Tokyo Zokei University Museum, Tokyo, Japan

Existing Here, Certainly — The Exhibition of Chinese Modern Artists, Tokyo Chofu Plaza Gallery, Tokyo, Japan

1999

2nd Fujino International Art Symposium – Open Air Exhibition, Kanagawa, Japan

1998

’98 Walding Museum, Tokyo Takashimaya Times Square, Tokyo, Japan

1997

Contemporary Art Festival, Museum of Modern Art, Saitama, Japan

1996

Guan Huaibin & Zhang Zhijun Exhibition, Museum of Modern Art, Saitama, Japan

1995

Asia Contemporary Art Exhibition, Tokyo Metropolitan Museum, Tokyo, Japan

1998年

[边缘航线] ，《江苏画刊》， CN32-11093/Z，2009,No.3，江苏美术出版社，p16，

1999 年

[文化漂流中的航标设定] ，《美术观察》，ISSN 1006-8899， 1999,No.11，《美术观察》杂志社，p17，

2001年

[双年展方式和横滨三年展] ，《艺术当代》，ISBN 7-80672-200-9， 2010,创刊号，《艺术当代》编辑部，p32-35，

2003年

[“逍遥游”后记] ，《现代艺术》，ISSN 1009-5233， 2003,No.4，《现代艺术》杂志社，p75，

[流动的当代亚洲美术] ，《艺术当代》，ISBN 1000-6044， 2003,No.3，《艺术当代》编辑部，p28-35

[日本艺术家滞在创作机制与藤野国际艺术研讨会] ，《画刊》，ISSN 1005-6890， 2003,No.7，《画刊》杂志社，p2-7，

[流动的当代亚洲美术] ，《批评家的批评与自我批评》，ISBN 7-80678-140-4， 2003,9，上海书店社，p71-77

[艺术赞助在日本] ，《艺术当代》，ISBN 1672-4402， 2003,No.4，《艺术当代》编辑部，p13-15

[空白的艺术—构架非视觉性空间的意义] ，《苏州工艺美术职业艺术学院学报》，ISBN 1672-3848， 2003,No.3，苏州工艺美术学院学报，p35-40

[从都市到农村—走出城市的美术活力] ，《艺术当代》，ISBN 1672-4402， 2003,No.6，《艺术当代》编辑部，p38-44

2004年

[空白的艺术—构架非视觉性空间的意义][日文] ，《东京艺术大学大学院博士论文集》，2003、3，东京艺术大学大学院、图书馆

[交叉点的日本当代艺术] ，《艺术当代》，ISBN 1672-4402， 2004,No.3，《艺术当代》编辑部，p32-37

2005年

[叩印兰亭] ，《书·非书—开放的书法空间》，ISBN 7-81083-438-x， 2005,10，中国美术学院出版社，p216-217

[影像迷宫—2004中国新媒体艺术节] ，《画刊》，ISSN 1005-6890， 2005,No.2，《画刊》，杂志社，p15-18

[关于《叩印兰亭2》—今集兰亭序的艺术计划] ，《进与出或之间—空间位移的N种方式》，索卡当代空间，p44

2006年

[园语—传统造园美学介入当代艺术实践] ，《从综合绘画到综合艺术教学10年》，ISBN 7-81083-450-9， 2006,1，中国美术学院出版社，p173-191

[非书时代的书法境域] ，《画刊》，ISSN 1005-6890， 2006,No1，《画刊》杂志社，p56-59

[综合艺术系家园迁徙—中国美术学院建系15周年] ，《画刊》，ISSN 1005-6890， 2006,No3，《画刊》杂志社，p11-16

[地下5米、现实深处—《寓言》中国当代艺术展] ，《画刊》，ISSN 1005-6890， 2006,No4，《画刊》杂志社，p17-19

[一个借题的雅集—《礼物》当代艺术展] ，《画刊》，ISSN 1005-6890， 2006,No4，《画刊》杂志社，p20-22

[临界水墨家园的自觉] ，《中国当代青年画家-花俊》，ISBN 7-5310-2611-2， 2006,3，河北美术出版社，p1-2

[临界—花俊水墨家园的自觉] ，《北方美术》，ISSN 1008-8822， 2006,No.1，《北方美术》编辑部，p14-17

[都市公共艺术的现状与需求] ，《上海国际城市雕塑双年展文本》，ISBN 7-81083-062-8， 2006,4，东华大学出版社，p64-73

[本墨倒置] ，《渡—当代水墨方式》，ISBN-13：978-988-97154-2-7， 2006,8，汇泰艺术中心，p280

[关于‘迷城’] 《神州风情》，ISSN 1816-7802, 2006, No.12 ,香港神州风情出版社,p94-99

2007年

[“素材与创作”教学的若干问题],《东方岩彩》,2007,No.3, 今日艺术杂志社出版

[异域的方式]   《美术天地》，ISBN 978-7-80685-857-2, 2007, No.5,上海锦绣文章出版社,p30-37

[从《绿色的迁移》到《天权—山顶》]，《艺术界》，ISSN 1003-6865，2007,No. 10,《艺术界》杂志社，p20-31

《管怀宾》（装置艺术），2007,6,   井ART画廊出版,62p

[故园与迷城]，《日常状态》，ISSN 978-7-81083-605-0，2007,6中国美术学院出版社，p136-143

[Homeland and lost city](英文)   《视觉生产》,ISBN 978-988-17143-1-2 ，,2007, VOL.4, 《视觉生产》杂志社

[故园与迷城]，《艺术名家》，ISSN 1662-1893，2007,2，中国美术出版社，p38-45

[空间多媒体艺术表现]，《数字时代的学术传播—全国艺术院校美术学报学术论坛》，ISSN 1672-3848，2007,苏州工艺美术学院学报，p17

[集装箱中的艺术双年展] ，《画刊Art Monthly》，ISSN 1005-6890， 2007,No12，《画刊》杂志社，p17-24

[公共状态下的书法方式] ，《画刊Art Monthly》，ISSN 1005-6890， 2007,No12，《画刊》杂志社，p50-54·

2008年

[体温 ·现场（2008当代女性艺术家展前言）》] ，《体温 ·现场—2008当代女性艺术家展》图录，2008.2，中道艺术 Gallery，p3,

[非书时代的书法艺术] ，《国家美术》，ISSN1005-7226， 208,No.12，国家美术编辑部，p46-51，

[关于《迷城》] ，《被枪毙的方案》，ISBN 978-88-8158-709-4， 2008，Antonia De Giosa，p184-187

2009年

[关于空白的艺术与构筑非视觉性空间] ，《中国会展》，ISBN 978-7-900444-50-9， 2009. No.6，吉林音像出版社，p152-161，

[关于过园的对话] ，高士明、管怀宾，《艺术时代Art Time》，ISSN978-988-18092-9-2， 2009,No.9，p78-83，

[价值冲突导致文化的复杂性] ，《艺术当代》，ISSN1672-4402， 2009,No.5，《艺术当代》编辑部，p11-16

[物是·物非——凝固的心象风景] ，《当代美术家精品集—沈建国()》，ISBN 978-7-81137-224-3, 2009.1，苏州大学出版社，p2-3，

[园之为物·园之在境] ，高士明、管怀宾，《画刊》，ISSN 1005-6890/CN32-1692/J，2009,No.4，《画刊》杂志社，p71-74，[装置作品中的物一象与情一境] ，高士明、管怀宾，《艺术当代》，ISSN1672-4402， 2009,No.4，《艺术当代》编辑部p74-79，[艺术首先不应当是个流通的物] ，陆彦、管怀宾，《外滩画报-文化》，CN31-0068， 2009,07,09，《外滩画报》Editorial Board ,pD9， [关于空白的艺术与构筑非视觉性空间] ，《载道》，ISBN 978-7-900444-50-9 2009,6，吉林音像出版社，p154-161，

[大地的艺术—越后妻有三年展2009] ，《画刊》，ISBN 1672-4402， 2009,No.9，《画刊》杂志社，p11-20

2010年

[过/园之径的几个交叉点] ，《艺术当代》，ISSN1672-4402， 2010,No.9，《艺术当代》编辑部，p69-72，

[十年见证——影响杭州当代艺术的十二个展览]空间多媒体工作室，《艺术当代》，ISSN1672-4402， 2010,No.9，《艺术当代》编辑部，p66-68，[关于《石光》、《墨尘》]，《新水墨—首届新水墨艺术邀请展作品集》，ISBN 978-7-5398-2562-5 ，2010.9，安徽美术出版社，p158 [关于”书非书”与两个案例]，管怀宾文，1/1《书非书—2010杭州国际书法论坛论文集》，ISBN 978-7-5503-0041-5 ，2010.12，中国美术学院出版社，p53-59

2011年

[装置中的物·象与情·境]，《国家美术》ISSN 1005-7226，2011年9月专刊,国家美术杂志社，2/2，24p，

[离心的自觉-花俊水墨家园的外延]， 《看待-花俊作品》，ISBN 978-7-5503-0055-2，中国美术学院出版社，2011年4月，p21-31，

[关于实验艺术教育的几个问题]，《画廊》杂志出版社， ISSN 1000-4815 ，2011年No.6，《画廊》杂志社，p  ，[‘征服者之歌’的诗性表述]，《画刊》， ISSN 1005-6890/CN32-1692/J，2011年No.8，《画刊》杂志社， 24p76-64[“客路他乡”的中国当代艺术]，《美术视线》ISBN 978-7-5410-4750-3 ，2011年No.2，宁波美术馆， p17-18

[王冬龄与现代书的“当代性”建构]，《书法道-王冬龄书法艺术》，ISBN 978-7-5479-0276-9，上海书画出版社 ，2011年10月，p69-72，

2012年

[没有细节的艺术不可能拥有真实灵魂]，《艺术当代》 ISSN1672-4402,2012.No.5，《艺术当代》编辑部，1/2，p60-63，

[坚持异于集体视觉经验之外的个性创造]，《画刊》，ISSN 1005-6890/CN32-1692/J，2012年.No.7，《画刊》杂志社， p66-68，[关于书非书与两个案例]，《中国现代书法论文选二》ISBN 978-7-5503-0331-7,2012.8中国美术学院出版社，P219-230，[多学科交叉、跨领域互动的艺术人才培养模式研究]，《中国美术学院学科建设与教学创新文集》，ISBN 978-7-5503-0304-1，2012.9，2/3，中国美术学院出版社，p/67-74，

[诗画对谈、非常醒墨] ，《当代艺术新闻》 ISSN 977—181960800—8，2012年No.4，华艺文化出版社，p69-72，

[诗意被空间渴慕——管怀宾、默默对话]，《管怀宾—诗意被空间渴慕》作品集，ISBN 978—7—5434—7022—4，          河北教育出版社，2012年9月，p10-31，

2013年

[坚持异于集体视觉经验之外的个性创造]，《亚洲的艺术态度2013@当代水墨艺术展作品集》,2013.6,1/2,p158

[当代艺术十二问]，《国家美术》ISSN 2074-9732，2013年5月,国家美术杂志社，1/2，p72-81

[素材与创造]，《中国美术学院优秀课程与教案汇编》，中国美术学院出版社， 2012.11，1/2，p

[美学的大同世界是一个乌托邦]，《周末画报——城市》2013年11月16日，广东岭南美术出版社,1/2，p66-68，[没有个体的清理和思考很难有创造性的推进]，《玩物主义-艺术家日常生活史》， 2013年7月，蓝顶美术馆，1/2，P47-54

2014年

[叙园游思-管怀宾对话陈方山]，《汉品》总第3期，ISBN 978-7-5508-0927-7，西泠印社出版社，1/2，P88-103，

[度园之旅]，《美术天地》（封面人物），ISBN 978-7-5452-1462-8；2015年No.1， P10-25[叙园游思]，《国家美术》转载，ISSN 2074-9732，2014年5月,国家美术杂志社，1/2，P68-75

[管怀宾·对谈-和视环境艺术] ，《和视环境艺术》出版2014年8 月，1/2，p234-239，

[关于新公共艺术的诉求]，《美术报》， 2014年6月21日，p20，

[关于印裔英国当代艺术家 安尼施·卡普尔]，《国家美术》，ISSN 2074-9732；2014年第9期P28-31；

2015年

[穿越神话与文化现实]（韩文、中文、英文）；韩国《Beyond the Form —Sang yeon Kim》 ；2015年6月， P80—87；

[远城景·象]，（中英文），《远城》，ISBN 978-7-5344-9532-8，江苏凤凰美术出版社2015/7， P12-15，

[管怀宾谈“造境”]，《美术天地》，ISBN 978-7-5452-1628-8；2015年No.2， P68-69

[彼此观看—管怀宾、章之珺访谈] ，《画刊》，ISSN 1005-5452-6890/CN32-1692/J；2015/5 ，《画刊》杂志社，1/2；P52—57，

[“诗歌并不诉诸理性而是诉诸想象”—关于装置艺术与诗的对话]，《诗建设》2015年秋季号，ISBN 978-7-5063-8416-2，作家出版社， 1/2，P234-242；

[公共艺术与地缘文化重构]，《新美术》，中国美术学院学报，ISSN 1674-2249；独立；2015/10，P124-131；

[关于书非书的访谈]；《书非书文献》 ；中国美术学院出版社；2015/5，独立，P211-217；[关于书.非书与两个案例]，《中国书法的疆界》，ISBN 978-7-300-20562-5中国人民大学出版社，2015年10月，P364-372；，[王冬龄与现代书法的“当代性”建构]，《书非书—王冬龄艺术评论辑要》，ISBN 978-7-300-20567-0中国人民大学出版社2015年10月，P234-239；

[公共艺术与地缘文化重构—以日本越后妻有三年展和濑户内国际艺术节为例]，《地方重塑》，ISBN 978-7-5671-1797-6，上海大学出版社， 2015年10月，P190-199；

[文化资源不能标本化，需要在另一个界域重建]，《收藏/拍卖》，2015年No.11，ISSN 1672-6928，广东时代传媒有限公司，P100-102；，

2016年

[跨媒体实践与实验艺术教育] ，《中国美术》ISSN 0256-212X, 2016年No.3， p69-72，

[园思物语—东方空间美学介入当代艺术实践]，《诗书画》，ISSN2095-3674, 2016年第二期（季刊），独立，p66-68，

[相磁域——宋戈文的格物方式]，《无桨之舟》，画册，蜂巢当代艺术中心， P48-51；

[一切需要回馈到学生的智识培养]，《画刊》，ISSN 1005-5452-6890/CN32-1692/J；2016/6 ，《画刊》杂志社， p13-14，

2017年

[相磁域——宋戈文的格物方式]，《国家美术》ISSN 2074-9732，2017年1月,国家美术杂志社， P40-42；

[穿越神话与文化现实]，《艺术当代》 ISSN1672-4402,2017.No.3，《艺术当代》编辑部，p32-35，

[管怀宾——当雾霾中的现实之光亮起]，《国家美术》ISSN 2074-9732，2017年5月,国家美术杂志社， P64-71；

[观念之境-管怀宾的跨媒体叙事]画廊/管怀宾对话 ISSN1000-4815, 2017年第四期，

[征服者之歌的诗性表述]《画廊》杂志ISSN1000-4815, 2017年第四期，

[关于装置艺术与诗歌的对话]，《江风海韵》杂志，苏印广登字2015-044, 2017年第3-4月，

[空间叙事基础-素材与创造]，《中国美术学院优秀课程与教案汇编》，ISBN 978-7-5503-0935-7，2017年12月,中国美术学院出版社，

[入选艺术家评语]，《TOP20-2017中国当代摄影新锐展》画册，入选艺术家评语，浙江省美术馆，2017年12月，主办：中国摄影家协会、浙江省文联，承办：中国美术学院跨媒体艺术学院、《中国摄影》、浙江省摄影家协会。

[专题访谈]，《潜存的欢愉——中国当代艺术展》画册， 2017年12月、广州柯木朗艺术中心，

2018年

[介观前行——跨媒体艺术教育历程]，《国美之路大典-跨媒体艺术卷》，ISBN 978-7-5503-1633-1，2018年2月,中国美术学院出版社，

[走向综合—导言]，《国美之路大典-跨媒体艺术卷》 – 未来媒体、先锋实验，ISBN 978-7-5503-1633-1，2018年2月,中国美术学院出版社，

[综合造型工作室—空间多媒体艺术表现概论]，《国美之路大典-跨媒体艺术卷》- 未来媒体、先锋实验，ISBN 978-7-5503-1633-1，2018年2月,中国美术学院出版社，

[园语—传统造园美学介入当代艺术实践]，《国美之路大典-跨媒体艺术卷》- 未来媒体、先锋实验，ISBN 978-7-5503-1633-1，2018年2月,中国美术学院出版社。

[造景与造境]，《国美之路大典-跨媒体艺术卷》- 未来媒体、先锋实验，ISBN 978-7-5503-1633-1，2018年2月,中国美术学院出版社，

[媒介与装置-光与空间叙事]《国美之路大典-跨媒体艺术卷》-未来媒体、无墙学院，ISBN 978-7-5503-1633-8，2018年2月,中国美术学院出版社，

[对话学术圈-科技进步将把艺术带向何方]，《收藏/拍卖》杂志，ISSN 1672-6928，2018年4月, 《收藏/拍卖》杂志社，

[装置艺术的系谱 -上]，《艺术当代》杂志，ISSN1672-4402, 2018年第3期，《艺术当代》编辑部，P28-33；

[装置艺术的系谱 –下]，《艺术当代》杂志，ISSN1672-4402, 2018年第4期，《艺术当代》编辑部，P38-45；

[度园之径—非文本化的“园语”实践]，《新美术》，ISSN1674-2249, 2018年第6期，

[光与空间叙事]，《艺+大讲坛文集》，ISBN 978-7-5503-1539-6，2018年7月,中国美术学院出版社，

[影像新写作]，《融@拓-中国.沈阳当代艺术邀请展》访谈，ISBN 978-7-5340-6666-5，2018年4月,浙江人民美术出版社，

[交叉域-中日当代艺术新锐展序]，《交叉域-中日当代艺术新锐展》画册，2018年12月,苏州金鸡湖美术馆，

[视觉的诗-前言]《视觉的诗：面向真实的时间》，主办：中国美术学院跨媒体艺术学院、德国卡塞尔艺术学院、国家艺术基金，

2019年

[烁园笔谈]，《艺术当代》杂志，ISSN1672-4402, 2019年第1期，《艺术当代》编辑部，

[新锐艺术家的交叉域]，《艺术当代》杂志，ISSN1672-4402, 2019年第1期，《艺术当代》编辑部，

[教学相长-多径交叉的花园]，《新美术》杂志，ISSN1674-2249, 2019年第6期，P13-19；

[园思物语—空间多媒体艺术专题创作] ，《新美术》杂志，ISSN1674-2249, 2019年第6期，P19-27；

[跨媒体·超艺术：管怀宾访谈]《画刊》杂志，ISSN1005-6890, 2019年第6期，《画刊》编辑部，

2020年

[重温感受力-以创作集体作为策略与路径的探索]，《画刊》杂志，ISSN1005-6890, 2020年第1期，《画刊》编辑部，

[融超经验——消化观念、技术的流变与普适性专业建构的矛盾]，《艺术当代》杂志，ISSN1672-4402, 2019年第4期，《艺术当代》编辑部，

[对话管怀宾：一种空间营构和叙事的策略]，《国家美术》杂志，ISSN2074-9732, 2020年第9期《国家美术》编辑部，P16-35，

[幻象景观：触温世界]，《国家美术》杂志，ISSN2074-9732, 2020年第9期《国家美术》编辑部，

[关于当代媒体艺术教育的若干思考]，《迭代与交融——北京电影学院国际新媒体艺术三年展论文集》，ISBN978-7-106-04438-1, 2020年6月，中国美术学院出版社独立，字数：7540字。

[专题访谈]出版画册：《书非书——2019杭州国际书法艺术节-论文集》，ISBN978-7-106-04438-1, 2020年6月，中国美术学院出版社，副主编1/3。

[公共艺术与地缘文化重构——以日本越后妻有三年展和濑户内国际艺术节为案]，《场所-空间-艺术》，ISBN978-7-5503-1821-2, 2020年10月，中国美术学院出版社，字数：6845字。

[素处以默·妙机其微]，《丘园养素-丘挺作品展》前言，2020年11月，中国美术学院出版社，

[流动的国际跨媒体艺术节与创作集体]，《画刊》杂志，ISSN1005-6890, 2020年第12期，《画刊》编辑部，

[叠展时间]，《叠展时间-沈建国作品展》画册，2020年7月4日-8月17日、苏州基业美术馆。

2021年

[60镜像]，《画刊》杂志，ISSN1005-6890, 2021年第5期，《画刊》编辑部，

[建构“乌有园”：管怀宾访谈]，《画刊》杂志，ISSN1005-6890, 2021年第5期，《画刊》编辑部

[横滨三年展意义何在]栗山明、《艺术当代》，ISBN7-80672-200-9，2001,创刊号，《艺术当代》编辑部，p36-39，

[21世纪开始的亚洲艺术]后小路雅弘、《艺术当代》，ISBN7-80672-200-9，2002, No.3，《艺术当代》编辑部，p38-41，

[日本的物派]栗山明、《人文艺术》，ISBN7-221-06630-2，2004,7，贵州人民出版社，p87-93，

[特洛伊木马——关于国际展览中的多文化主义]建田哲文、《艺术当代》，ISSN1672-4402，2010,No.1，《艺术当代》编辑部，p29-31

1《管怀宾》作品集，2007.6.9，井ART画廊出版、管怀宾工作室、独立，62页

2《过/园—管怀宾作品》，管怀宾著，1/1，凤凰出版传媒集团、江苏美术出版社， ISBN 978-7-5344-3479-2,2011年1月

第一版，独立，390页，

3《度园—管怀宾》作品集，三尚当代艺术馆出版、2012年6月、独立，36P

4《管怀宾—诗意被空间渴慕》作品集，河北教育出版社，ISBN 978—7—5434—7022—4，2012年9月，独立，192P

5《管怀宾—悬园》作品集，天仁合艺艺术中心，天仁合艺文化艺术股份有限公司，2012年8月，独立。96P

6.《书非书2015——杭州国际现代书法艺术展》作品集， 管怀宾主编，中国美术学院出版社；2015/5，232P

Articles by Guan Huaibin

 

1998

“Marginal Route”, Jiangsu Art Monthly, CN 32-11093/Z, 2009, No. 3, Jiangsu Fine Arts Publishing House, p. 16.

1999

“Setting a Navigation Mark in Cultural Drift”, Art Observation, ISSN 1006-8899, 1999, No. 11, Art Observation Press, p. 17.

2001

“Biennales and Yokohama Triennial”, Art China, ISBN 7-80672-200-9, 2010, First issue, Art China Editorial Department, p. 32-35.

2003

“Afterword to ‘Xiao Yao You’”, Art China, ISSN 1009-5233, 2003, No. 4, Art China Press, p. 75.

“Flowing Contemporary Asian Arts”, Art China, ISBN 1000-6044, 2003, No. 3, Art China Editorial Board, p. 28-35.

“Artists in Residence and Fujino International Art Symposium”, Art-Monthly, ISSN 1005-6890, 2003, No. 7, Art-Monthly Press, p. 2-7.

“Flowing Contemporary Asian Arts”, Critics’ Criticism and Self-Criticism, ISBN 7-80678-140-4, 2003, 9, Shanghai Bookstore Publishing House, p. 71-77.

“Art Sponsorship in Japan”, Art China, ISBN 1672-4402, 2003, No. 4, Art China Editorial Board, p. 13-15.

“Blank Art – The significance of constructing a non-visual space”, Journal of Suzhou Art & Design Technology Institute, ISBN 1672-3848, 2003, No. 3, Journal of Suzhou Art & Design Technology Institute, p. 35-40.

“From Urban to Rural – Art Vigor Out of Cities”, Art China, ISBN 1672-4402, 2003, No. 6, Art China Editorial Board, p. 38-44.

2004年

“Blank Art – The significance of constructing a non-visual space” (Japanese), Article Collection by Ph. Ds from Tokyo University of the Arts, 2003,3, Tokyo University of the Arts College and Library.

“Contemporary Japanese Art at the Juncture”, Art China, ISBN 1672-4402, 2004, No. 3, Art China Editorial Board, p. 32-37.

2005年

“Sealing Lanting”, Writing / Non-Writing: The Open Space for Chinese Calligraphy, ISBN 7-81083-438-x,  2005,10, China Academy of Art Press, p. 216-217.

“Image maze – 2004 New Media Art Festival of China”, Art Monthly, ISSN 1005-6890, 2005, No. 2, Art Monthly Press, p. 15-18.

“On Sealing Lanting – Art Project of Lanting Collection Today”, In and Out or In-between – N Kinds of Space Displacement, Soka Contemporary Space, p. 44.

2006年

“Garden language – Traditional gardening aesthetics involved in contemporary art practice”, Ten Years from Comprehensive Painting to Comprehensive Art Education, ISBN 7-81083-450-9, 2006, 1, China Academy of Art Press, p. 173-191.

“Writing Realm in the Non-Writing Era”, Art Monthly, ISSN 1005-6890, 2006, No. 1, Art Monthly Press, p. 56-59.

“Migration of the Home of Comprehensive Art: The 10th anniversary of the founding of this Department in China Academy of Arts, Art Monthly, ISSN 1005-6890, 2006, No. 3, Art Monthly Press, p. 11-16.

“5 Meters Underground, Deep in Reality – Fable: Chinese Contemporary Art Exhibition”, Art Monthly, ISSN 1005-6890, 2006, No. 4, Art Monthly Press, p. 17-19.

“A Yaji Making Use of a Subject as a Pretext – Gift: Contemporary Art Exhibition”, Art Monthly, ISSN 1005-6890, 2006, No. 4, Art Monthly Press, p. 20-22.

“Critical: Self-consciousness to the home of ink”, Chinese contemporary young painters: Hua Jun, ISBN 7-5310-2611-2, 2006, 3, Hebei Fine Arts Publishing House, p. 1-2

“Critical: Hua Jun’s Self-consciousness to the home of ink”, Northern Art, ISSN 1008-8822, 2006, No. 1, Northern Art Editorial Department, p. 1-2.

“Current Situation and Demand of Urban Public Art”, Shanghai International Biennial Urban Sculpture Exhibition Anthology, ISBN 7-81111-062-8, 2006, 4, Donghua University Press, p. 64-73.

“Inversion of the Paper and Ink”, Du–Expressions of Contemporary Chinese Water and Ink Painting, ISBN-13：978-988-97154-2-7, 2006, 8, Huital Art Center, p. 280.

“About the ‘Lost City’”, China Custom Periodical, ISSN 1816-7802, 2006, No. 12, China Custom Periodical Press, p. 94-99.

2007

“Problems in the Teaching of ‘Material and Creation’”, Rock Color, ISBN 1674-0777, 2007, No. 3, Today Art Press, p. 62-69.

“Exotic Way”, Art World, ISBN 978-7-80685-857-2, 2007, No. 5, Shanghai Pictorial Publishing House, p. 30-37.

“From Moving of the Green to Tian Quan – The Summit”, Art Life, ISSN 1003-6865, 2007, No. 10, Art Life Press, p. 20-31.

Guan HuaiBin – Installation, 2007. 6, Jing Art Gallery, p. 62.

“Homeland and Lost City”, The State of the Space, ISSN 978-7-81083-605-0, 2007. 6, China Academy of Art Press, p. 136-143.

“Homeland and Lost City”, Visual Production, ISBN 978-988-17143-1-2, 2007, Vol. 4, Visual Production Press, p. 130-137.

“Homeland and Lost City” (English), Art Expert, ISSN 1662-1893, 2007.2, China Art Press, p. 38-45.

“Art Expression of Space Multimedia”, Academic Diffusion in the Era of Digital – 2007 National Arts College Academic Forum of Art Journals, ISSN 1672-3848, 2007, Journal of Suzhou Art & Design Technology Institute, p. 17.

“Art Biennale in Container”, Art Monthly, ISSN 1005-6890, 2007, No. 12, Art Monthly Press, p. 17-24.

“Calligraphy in Public State”, Art Monthly, ISSN 1005-6890, 2007, No. 12, Art Monthly Press, p. 50-54.

2008

“Body Temperature ·Present (Foreword)”, Body Temperature·Present – 2008 Exhibition of Contemporary Art by Female Artists, 2008. 2, Chinas Art Gallery, p. 3.

“Writing in the Non-Writing Era”, National Arts, ISSN 1005-7226, 2008, No. 12, National Arts Editorial Staff, p. 46-51.

“On the City of Labyrinth”, Reasons for Rejection, ISBN 978-88-8158-709-4, 2008, Antonia De Giosa, p. 185-187.

2009

“On Art of Blank and the Construction of Non-Visual Space”, China Conference & Exhibition, ISBN 978-7-900444-50-9, 2009. No. 6, Jilin audio visual publishing house, p. 152-161,

“A Dialogue on The Garden of Forking Paths”, Gao Shiming & Guan Huaibin, Art Time, ISSN 978-988-18092-9-2, 2009, No. 9, p. 78-83.

“Value Conflict Leads to the Complexity of Culture”, Art China, ISSN 1672-4402, 2009, No. 5, Art China Editorial Department, p. 11-16.

“Things are There or Not – Frozen Landscape”, Selected Collection of Contemporary Artists – Shen Jianguo, ISBN 978-7-81137-224-3, 2009, Suzhou University Press, p. 2-3.

“Object in Installation Art – the Imagery and the Context”, Gao Shiming & Guan Huaibin, Art Monthly, ISBN 1005-6890/CN 32-1692/J，2009, No .4, Art Monthly Press, p. 71-74.

“The Object-Image and Emotion-Scene in Installation Works”, Gao Shiming & Guan Huaibin, Art China, ISSN 1672-4402, 2009, No. 4, Art China Editorial Department, p. 74-79.

“Art Should Not Be a Circulating Thing in the First Place”, Lu Yan & Guan Huaibin, THE BUND – Culture, CN 31-0068, 2009.07.09, THE BUND Editorial Board, p. D9.

“Art of the Earth – Echigo-Tsumari Art Triennial 2009”, Art Monthly, ISBN 1672-4402, 2009, No. 9, Art Monthly Press, p. 11-20.

2010

“Intersection Points of the Paths in the Garden of Forking Path”, Art China, ISSN 1672-4402, 2009, No. 9, Art China Editorial Department, p. 69-72.

“Ten-Year Witness: Twelve exhibitions influencing Hangzhou contemporary art”, Spatial Multimedia Art Studio, Art China, ISSN 1672-4402, 2009, No. 9, Art China Editorial Department, p. 66-68.

“About Rock of Light & Dust of Ink”, The Invitational Exhibition of New Ink-Paintings, ISBN 978-7-5398-2562-5, 2010.9, Anhui Art Publishing House, p. 158.

“On ‘Writing / Non-Writing’ and Two Cases”, Writing / Non-Writing – Collection of 2010 Hangzhou International Calligraphy Forum, ISBN 978-7-5503-0041-5, 2010.12, China Academy of Art Press, p. 53-59.

2011

“‘Object in Installation Art – the Imagery and the Context”, National Art, ISSN 1005-7226，2011.9, National Art Editorial Board, 2/2, P. 24.

“Centrifugal Consciousness – The extension of Hua Jun’s ink homeland”, Viewing: Hua Jun’s Works, ISBN 978-7-5503-0055-2, China Academy of Art press, April 2011, p. 21-31.

“Questions on Experimental Art Education”, Gallery Magazine, ISSN 1000-4815, 2011, No. 6, Gallery Magazine Press.

“Poetic Expression of the Song of the Conqueror”, Art Monthly, ISSN 1005-6890 / CN 32-1692 / J, 2011, No. 8, Art Monthly Editorial Board, 24 P. 76-64.

“Contemporary Art of Overseas Chinese”, ISBN 978-7-5410-4750-3, 2011, No. 2, Ningbo Art Museum, P. 17-18.

“Wang Dongling and the Construction of ‘Contemporariness’ of Modern Calligraphy”, Calligraphy Tao: Wang Dongling’s Calligraphy Art, ISBN 978-7-5479-0276-9, Shanghai Calligraphy and Painting Publishing House, October 2011, P. 69-72.

2012

“Art without Details Can’t Have a Real Soul”, Art China, ISSN 1672-4402, 2012. No. 5, Art China Editorial Department, 1/2, p. 60-63.

“Insisting on Individual Creation Different from Collective Visual Experiences”, Art Monthly, ISSN 1005-6890 / CN 32-1692 / J, 2012. No. 7, Art Monthly Editorial Board, p. 66-68.

“Speech on Sensibility”, Sensibility – 2012 China Art Education Forum, December 2012, p. 42-43, P. 54.

“On ‘Writing / Non-Writing’ and Two Cases”, Selected Papers on Modern Chinese Calligraphy, ISBN 978-7-5503-0331-7, 2012.8 China Academy of Art Press, p. 219-230.

“Research on Interdisciplinary and inter-field Art Personnel Training Mode”, Collection of Discipline Construction and Teaching Innovation of China Academy of Art, ISBN 978-7-5503-0304-1, 2012.9, 2/3, China Academy of Art Press, p. 67-74.

“Dialogue on Poetry and Painting, Wakening Ink”, Contemporary Art News, ISSN 977-181960800-8, 2012, No. 4, Huayi Culture Press, p. 69-72.

“Poetic Flavor Yearned by Space – Dialogue between Guan Huaibin & Mo Mo”, Works Collection of Guan Huaibin – Poetic Flavor Yearned by Space, ISBN 978-7-5434-7022-4, Hebei Education Press, September 2012, p. 10-31.

2013

“Insisting on Individual Creation Different from Collective Visual Experiences”, Asian Art Attitude 2013: Collection of contemporary ink art exhibition, 2013.6, 1/2, p. 158.

“Twelve Questions on Contemporary Art”, National Arts, ISSN 2074-9732, May 2013, National Arts Magazine, 1/2, p. 72-81.

“Material and Creation”, Collection of Excellent Courses and Teaching Plans of China Academy of Art, China Academy of Art Press, November 2012, 1/2.

“The World of Aesthetic Harmony Is a Utopia”, Weekend Pictorial – City, November 16, 2013, Guangdong Lingnan Fine Arts Publishing House, 1/2, p. 66-68.

“It’s Difficult to Advance Creatively without Individual Cleaning and Thinking”, Playfulness – Artist’s Daily Life History, July 2013, Blue Roof Museum, 1/2, p. 47-54.

“Interview about New West Lake”, New West Lake, June 2013, New West Lake magazine, p. 35.

2014

“Discussion about Garden and Visiting – Dialogue between Guan Huaibin and Chen Fangshan”, Han Pin, No. 3, ISBN 978-7-5508-0927-7, Xiling Seal Engraver’s Society Publishing House, 1/2, p. 88-103.

“Visiting the Garden of Meditation”, Art World (cover story), ISBN 978-7-5452-1462-8; 2015 No. 1, p. 10-25.

“Discussion about Garden and Visiting”, reprinted by National Arts, ISSN 2074-9732, May 2014, National Arts magazine, 1/2, p. 68-75.

“Dialogue with Guan Huaibin: Heshi Environmental Art”, Heshi Environmental Art, August 2014, 1/2, p. 234-239.

“On the Appeal of New Public Art”, China Art Weekly, June 21, 2014, P. 20,

“Anish Kapoor, a Contemporary Indian British Artist”, National Arts, ISSN 2074-9732, 2014, Issue 9, P. 28-31.

2015

“Passing through Mythology and Cultural Reality” (Korean, Chinese, English), Beyond the Form – Sang Yeon Kim, June 2015, p. 80-87.

“Remote City Scenery – Image” (Chinese and English), Remote City, ISBN 978-7-5344-9532-8, Jiangsu Phoenix Art Publishing House, July 2015, p. 12-15.

“Guan Huaibin Talking about ‘Creating Environment’”, Art World, ISBN 978-7-5452-1628-8, 2015 No. 2, p. 68-69.

“Watching Each Other – Interview with Guan Huaibin and Zhang Zhijun”, Art Monthly, ISSN 1005-5452-6890 / CN 32-1692/J, May 2015, Art Monthly Editorial Board, 1/2, P. 52–57.

“Poetry Does Not Appeal to Reason, But to Imagination – Dialogue on Installation Art and Poetry”, Poetry Construction, Autumn 2015, ISBN 978-7-5063-8416-2, Writers’ Publishing House, 1/2, p. 234-242.

“Public Art and Geo-Cultural Reconstruction”, Journal of the National Academy of Art, ISSN 1674-2249, independent, 2015/10，P. 124-131.

“Interview on ‘Writing / Non-Writing’”, Writing/Non-Writing, China Academy of Art Press; 2015/5, p. 211-217.

“On ‘Writing/Non-Writing’ and Two Cases”, Boundary of Chinese Calligraphy, ISBN 978-7-300-20562-5, China Renmin University Press, October 2015, p. 364-372.

“Wang Dongling and the ‘Contemporariness’ Construction of Modern Calligraphy”, Writing/Non-Writing – Summary of Review on Wang Dongling’s Art, ISBN 978-7-300-20567-0, China Renmin University Press, October 2015, p. 234-239.

“Public Art and Geo-Cultural Reconstruction: Cases study of the Echigo-Tsumari Triennial and Setonoi International Art Festival”, Local Reconstruction, ISBN 978-7-5671-1797-6, Shanghai University Press, October 2015, p. 190-199.

“Cultural Resources Cannot be Made into Specimens but Need to Be Rebuilt in Another Domain”, Collection / Auction, 2015, No. 11, ISSN 1672-6928, Guangdong Times Media Co., Ltd., p. 100-102.

2016

“Intermedia Practice and Experimental Art Education”, Chinese Fine Arts, ISSN 0256-212x, 2016, No. 3, p. 69-72.

“Stories of Gardens: Oriental Space Aesthetics Involving in Contemporary Art Practice”, Poetry Calligraphy Painting, ISSN 2095-3674, second issue of 2016 (quarterly), p. 66-68.

“Phase Magnetic Domain: Song Gewen’s way of studying objects”, Boat without Oars, Hive Center for Contemporary Art, p. 48-51.

“Everything Needs to Be Fed Back to the Cultivation of Students’ Intelligence”, Art Monthly, ISSN 1005-5452-6890 / CN 32-1692/J, June 2016, Art Monthly Editorial Board, p. 13-14.

2017

“Passage of Time and Space” (Art North 30°), Art: 30° of North Latitude, ISBN 978-7-5340-5286-6, January 2017, Zhejiang People’s Fine Arts Publishing House, p. 194-195.

“Phase Magnetic Domain: Song Gewen’s way of studying objects”, National Arts, ISSN 2074-9732, January 2017, National Arts magazine, p. 40-42.

“Passing through Mythology and Cultural Reality”, Art China, ISSN 1672-4402, 2017. No. 3, Art China Editorial Board, p. 32-35.

“Guan Huaibin: When the Reality in Haze Shines”, National Arts, ISSN 2074-9732, May 2017, National Arts magazine, p. 64-71;

“Realm of Ideas – Guan Huaibin’s Intermedia Narrative”, Dialogue between Gallery Magazine and Guan Huaibin, ISSN 1000-4815, issue 4, 2017, p. 51-69.

“Poetic Expression of the Conqueror’s Song”, Gallery magazine ISSN 1000-4815, issue 4, 2017, p. 70-75.

“Dialogue on Installation Art and Poetry”, Jiang Feng Hai Yun magazine, Su Yin Guang Deng Zi, 2015-044, March April 2017.

“Spatial Narrative basis – Material and Creation”, Collection of Excellent Courses and Teaching Plans of China Academy of Art, ISBN 978-7-5503-0935-7, December 2017, China Academy of Art Press, p. 30-35.

“Judges’ Comments”, Top. 20 – 2017 China Contemporary New Photography Exhibition, Zhejiang Art Museum, December 2017, p. 73, 101, 247.

“Happy Interview”, Potential Happiness: China Contemporary Art Exhibition album, December 2017, Guangzhou Kemulang Art Center, p. 144-147.

2018

“Mesoscopic Progress: The Process of Intermedia Art Education”, China Academy of Art – A Journey of 90 Years – Intermedia Art, ISBN 978-7-5503-1633-1, February 2018, China Academy of Art Press, p. XIII-XXI.

“Towards Comprehensive Art – Introduction”, China Academy of Art – A Journey of 90 Years – Intermedia Art – Future Media and Pioneer Experiment, ISBN 978-7-5503-1633-1, February 2018, China Academy of Art Press, p. 134-135.

“Comprehensive Modeling Studio – Introduction to Space Multimedia Art Performance”, China Academy of Art – A Journey of 90 Years – Intermedia Art – Future Media and Pioneer Experiment, ISBN 978-7-5503-1633-1, February 2018, China Academy of Art Press, p. 72-74.

“Garden Language – Traditional Gardening Aesthetics Involving in Contemporary Art Practice”, China Academy of Art – A Journey of 90 Years – Intermedia Art – Future Media and Pioneer Experiment, ISBN 978-7-5503-1633-1, February 2018, China Academy of Art Press, p. 76-79.

“Landscape and Environment”, China Academy of Art – A Journey of 90 Years – Intermedia Art – Future Media and Pioneer Experiment, ISBN 978-7-5503-1633-1, February 2018, China Academy of Art Press p. 84-85.

“Media and Installation”, China Academy of Art – A Journey of 90 Years – Intermedia Art – Future Media and College without Walls, ISBN 978-7-5503-1633-1, February 2018, China Academy of Art Press, p. 138-149.

“Dialogue with Academic Circles – Where Will Technological Progress Lead Art To”, Collection / Auction, ISSN 1672-6928, April 2018, Collection / Auction Magazine, p. 60-63.

“The Pedigree of Installation Art – Part One”, Art China, ISSN 1672-4402, 2018. 3, Art China Editorial Board, p. 28-33.

“The Pedigree of Installation Art – Part Two”, Art China, ISSN 1672-4402, 2018. 4, Art China Editorial Board, p. 38-45.

“Paths of the Garden of Forking Path – The Practice of Non-Textual ‘Garden Language’, Journal of the National Academy of Art, ISSN 1674-2249, 2018. 6, p. 84-91.

“Light and Space Narrative”, Art+ Forum Anthology, ISBN 978-7-5503-1539-6, China Academy of Art Press, July 2018.

“Interview with New Image Writing”, Melting & Extension – China Shenyang Contemporary Art Invitational Exhibition, ISBN 978-7-5340-6666-5, April 2018, Zhejiang People’s Fine Arts Publishing House, p. 30-39.

“Interdisciplinary Domain – Preface to Chinese and Japanese New Contemporary Art Exhibition”, Interdisciplinary Domain – Chinese and Japanese New Contemporary Art Exhibition, December 2018, Suzhou Jinjihu Art Museum, p. 4-7.

“The Real Time and The Real World”, Visual Poetry: Facing the Real Time, School of Intermedia Art, China Academy of Art, Kassel Institute of Art, and National Art Foundation.

“Sparkling Garden of Objects and Poetry”, Fortune, ISSN 1674-82, 202018, Vol 11, Fortune Art, p. 2-25.

“On Top Light and Sphere without Anybody – Scenery on the Top”, What Exists among Human and Water: Zhujiajiao 2018, ISSN 978-7-5669-1485-9, Donghua University Press, p. 104-111.

2019

“Writing about Sparkling Garden”, Art China, ISSN 1672-4402, 2019. 1, Art China Editorial Board, p. 19-23.

“Crossing Domain of New Artists”, Art China, ISSN 1672-4402, 2019. 1, Art China Editorial Board, p. 72-75.

“Reciprocal Enlightenment – Garden of Multi-Path Intersection”, Journal of the National Academy of Art, ISSN 1674-2249, 2019. 1, p. 13-19.

“Stories of Gardens: Space Multimedia Art Creation”, Journal of the National Academy of Art, ISSN 1674-2249, 2019. 6, p. 19-27.

“Intermedia – Super Art: Interview with Guan Huaibin”, Art Monthly, ISSN 1005-6890, 2019. 6, Art Monthly Editorial Board, P. 40-44.

“Realm of Grids and Images”, Realm of Grids and Images: Collection of Ye Hongping’s Works, November 2019, p. 1-5.

2020

“Reviewing Sensibility – Exploration on Creative Collective as Strategy and Path”, Art Monthly, ISSN 1005-6890, 2020. 1, Art Monthly Editorial Board, p. 67-69.

“Integrating and Surpassing Experiences – Facing the Contradiction between the Change of Concept and Technology and the Construction of Universal Disciplines”, Art China, ISSN 1672-4402, issue 4, 19, Art China Editorial Board, p. 34-37.

“Dialogue with Guan Huaibin: A Strategy of Spatial Construction and Narration”, National Arts, ISSN 2074-9732, National Arts Editorial Board, 2020. 9, p. 16-35.

“Visionary Landscape: Touching the World”, National Arts, ISSN 2074-9732, National Arts Editorial Board, 2020. 9, p. 68-71.

“Thoughts on Contemporary Media Art Education”, Iteration and Blending: Proceedings of International New Media Art Triennial of Beijing Film Academy, ISBN 978-7-106-04438-1, June 2020, China Film Press, p. 7-12.

“Special Interview”, Writing/Non-Writing – Papers of Hangzhou International Calligraphy Festival 2019, ISBN 978-7-106-04438-1, June 2020, China Academy of Art Press.

“Public Art and Reconstruction of Geo-Culture: Case Study of the Echigo-Tsumari Triennale and Setonoi International Art Festival”, Place Space Art, ISBN 978-7-5503-1821-2, October 2020, China Academy of Art Press, p. 114-122.

“Su Chu Yi Mo – Miao Ji Qi Wei: Preface to Qiu Ting’s Works Exhibition”, Qiu Ting’s Works Exhibition, November 2020, China Academy of Art Press.

“Mobile International Intermedia Art Festival and Creative Collective”, Art Monthly, ISSN 1005-6890, 2020. 12, Art Monthly Editorial Board, p. 64-66.

“Exhibition Time”, Exhibition Time – Shen Jianguo’s Works Exhibition, July 4 – August 17, 2020, Suzhou Jiye Art Museum, p. 5-11.

2021

“60 Mirror Image”, Art Monthly, ISSN 1005-6890, 2021. 5, Art Monthly Editorial Board, p. 12-13.

“Building a ‘Utopian Garden’: Interview with Guan Huaibin”, Art Monthly, ISSN 1005-6890, 2021. 5, Art Monthly Editorial Board, p. 14-19.

“Interviews with Guan Huaibin on ‘Reciprocal Enlightenment’”, Reciprocal Enlightenment: the 3rd Academic Experimental Art Documentary Exhibition, ISBN 978-7-5217-0908-7, CITIC Publishing Group, February 2021, p. 484-491.

 

Translation

“Yokohama International Triennial”, Kuriyama Aki, Art China, ISBN 7-80672-200-9, 2001, first issue, Art China Editorial Board, p. 36-39.

“Asian Art at the Beginning of the 21st Century”, Ushiroshoji Masahiro, Art China, ISBN 7-80672-200-9, 2002, No. 3, Art China Editorial Board, p. 38-41.

“‘Mono-ha’ in Japan”, Kuriyama Aki, Humanities & Art, ISBN 7-221-06630-22004,7, Guizhou People’s Publishing House, p. 87-93.

“Trojan Horse? – About the Multiculturalism of the International Exhibitions”, Tatehata Tetsu, Art China, ISSN 1672-4402, 2010, No. 1, Art China Editorial Department, p. 22-23.

 

 

Writing and Chief Editing

1 Collection of Guan Huaibin’s Works, June 9, 2007, published by Jing Art Gallery & Guan Huaibin Studio, independent publication.

2 Garden of Forking Path – Guan Huaibin’s Works, Guan Huaibin, 1/1, Phoenix Publishing Media Group, Jiangsu Arts Publishing House, ISBN 978-7-5344-3479-2, January 2011. First edition, independent publication.

3 Garden of Meditation – Guan Huaibin, Published by Sanshang Museum of Contemporary Art, June 2012, independent publication.

4. Work Collection of Guan Huaibin: Poetic Flavor Yearned by Space, Hebei Education Press, ISBN 978-7-5434-7022-4, September 2012, independent publication.

5 Guan Huaibin: Garden of Suspension (works collection), Tianrenheyi Art Center, Tianrenheyi Culture and Art Co., Ltd., August 2012, independent publication.

6. Writing/Non-Writing 2015 – Hangzhou International Modern Calligraphy Art Exhibition, chief-edited by Guan Huaibin, China Academy of Art Press, May 2015.