中国美院跨媒体艺术学院 | 展览

12 Mar 展览｜外来者实验

Posted at 04:40h in 新闻 by admin

外来者实验

Outsiders’ Practice

展期

Date

2023.3.12-5.10

学术指导

Academic advisor

汤南南

Tang Nannan

策展人

Curator

徐梦艺

Xu Mengyi

艺术家

Artists

方晨康、高采奇、李林嵘、李荣寅、

李雨欢、卢洁、卢洙贤、

马之淼、朴多喜、邱创伟

Fang Chenkang, Gao Caiqi, Li Linrong, Lee Youngin, Li Yuhuan, Lu Jie, Roh Suhyun, Ma Zhimiao, Park Dahee, Qiu Chuangwei

地址

Address

ABI SPACE

杭州市云栖小镇国际青年社区钱江BLOCK8-202

ABI SPACE

Qianjiang BLOCK8-202, International Youth Community, Yunqi Town, Xihu District, Hangzhou

“外来者”一词于1765年被威廉·布莱克斯通描述为“出生在国王领土之外的人”，这一部分人有着群体的特征，却独立于群体的权威感之外，有自己的思考脉络和行为导向，对“领土”环境抱有清醒认知和合理怀疑。因此，“外来者”的意义，常常是解决机械、麻木、动荡等社会危机，建立一套新的信仰体系，并逐步培养更多的思想认同，取代“领土”内原有的“内生者”，等待新的“外来者”。

艺术在社会中的力量，便是“外来者”的力量。在一个日益趋同，边界模糊的环境中，艺术能够打开人的身心，保持感性认知和独立意识。

“空间介入的创作”在艺术中的力量，也是“外来者”的力量。在足不出户便可晓天下，网络通畅便能知冷暖的现代社会，人们越来越习惯于窝在家里，或是困在公司。“空间介入的创作”能够提醒人们将敏锐的观察放于真实的自然，与日常生活中的所见所感产生联结。同时，“空间介入的创作”还被赋予了文化现象和文化直觉的特殊性，因为它并非艺术家个人的关切和感知，更是观众情感共鸣的体现。

此次在ABI SPACE的展览“外来者实验”，是汤南南“空间介入创作实践”的课程展。汤南南将自己于山水精神的思考和关切融汇于空间实践中，鼓励学生脱离工作室的束缚，在自然现场和社会空间中寻找创作的可能，充分调动感官情绪，关心世间万物，创作出更有体悟，更有力量的作品。

10位参展的“外来者”，从自身的体验出发，将发现的视野释放到周遭的世界，投身于杭州各处生活空间中，用自己的行为和创作调动环境中蕴藏的可能性。他们的“实验”，因环境而生，借空间而作，是对想象力和创造力如何作用于原本平静的西湖、雪山、森林的实验，也是对感知力和经验感觉如何带动周围的居民和社会的实验。

Outsider was described by William Blackstone in 1765 as “those who were born outside the king’s domain”, the outsider has the same personality traits as the group has, but is independent of the sense of authority and has its own thinking Contextual and Behavior-Oriented, with a clear understanding and reasonable doubts about the “territorial” environment. Therefore, the meaning of “outsiders” is often to solve social crises such as mechanization, numbness, and social chaos, establish a new belief system, and gradually cultivate more ideological identities, replacing the original “endogenous” in the “territory”, waiting for the new “outsiders”.

The power of Art in society is the power of “Outsiders”. In an increasingly homogeneous environment with blurred boundaries, art can open people’s minds and feelings, and make them maintain perceptual cognition and independent consciousness.

The power of “Creation Intervening in Space” in art is also the power of “outsiders”. In a modern society where one can know the world on the internet without leaving home, people are more and more used to staying at home or being trapped in the company. “Creation Intervening in Space” can remind audience to put the keen observation on real nature and connect with what they see and feel in daily life. At the same time, “Creation Intervening in Space” is endowed with the particularity of cultural phenomena and cultural intuition, because it is not the artist’s personal concern and perception, but the embodiment of the audience’s emotional resonance.

The exhibition “Outsiders’ Practice” at ABI SPACE is a course exhibition of Tang Nannan’s “Practice of Creation Intervening in Space”. Tang Nannan integrated his thoughts and concerns about the spirit of landscape into his space practice, encouraging his students to break away from the shackles of the studios, to find the possibility of creation in the natural scene and social atmosphere, fully mobilize the senses and emotions, caring about everything in the world, and create more experienced and powerful artworks.

The 10 artists starting from their own experience, released their vision of discovery to the surrounding world, devoted themselves to the living spaces in various places in Hangzhou, and mobilized the possibilities contained in the environment with their own behaviors and creations. Their “Practice” is born out of the environment and space, focusing on how imagination and creativity act on the originally peaceful West Lake, snow-capped mountains, and forests, and how perception and experience drive the surrounding residents and society.