高士明

高士明

高士明

策展人,批评家,现居杭州。

中国美术学院副院长,教授,博士生导师,视觉中国协同创新中心主任;其学术兼职包括中国美术家协会策展委员会副主任、浙江美术家协会副主席、浙江文艺批评家协会副主席、上海当代美术馆(PSA)理事与上海双年展学术委员等。近年来,他先后参与创建了中国美术学院展示文化研究中心、当代艺术与社会思想研究所、跨媒体艺术学院、视觉中国研究院以及亚洲思想界组织“亚际书院”,其研究领域涵盖当代艺术、社会思想以及策展实践。2002年以来,他策划了许多大型展览和学术计划,包括“地之缘:亚洲当代艺术的迁徙与地缘政治”系列研究计划(2002-2004)、“影像生存:第五届上海双年展”(2004)、“显微学:中国当代艺术展”(2005)、“黄盒子:中国空间里的当代艺术与建筑”学术邀请展(2006)、“重建乡土:第六届圣保罗建筑双年展中国特展”(2007)、“地轴转移:艺术家对香港回归十周年的回想”(2007)、“影子的炼金术:第三届连州国际摄影年展”(2007)、“与后殖民说再见:第三届广州三年展”(2008)、“巡回排演:第八届上海双年展”(2010)、“从西天到中土:印中社会思想对话”(2010-2011)、“变动中的世界,变动中的想象:亚洲思想界上海论坛”(2012)、“进程:首届西岸建筑与当代艺术双年展”(2013)、“首届亚际双年展论坛”(台北-上海-科钦,2014)、“亚洲社会思想运动报告:首届人间思想论坛”(2014)、“第三世界六十年:纪念万隆会议系列论坛”(杭州-科钦-北京-东京-香港-那霸)等。

高士明出版的学术书籍包括:《视觉的思想》(2002)、《地之缘:亚洲当代艺术与地缘政治视觉报告》(2003)、《与后殖民说再见》(2009)、《巡回排演》(2010)、《胡志明小道》(2010)、《一切致命的事物都难以言说》(2011)、《行动的书:关于策展写作》(2012)、《后殖民知识状况:亚洲现代思想读本》(2012)、《进程》(2013)、《从西天到中土:印中社会思想对话》(2014)、《三个艺术世界:中国现代史中的一百件艺术物》(2015)以及“人间思想”辑刊和丛书等。

 

GAO Shiming

Dr. Gao Shiming is a curator and critic based in Hangzhou, China.

He is currently the vice president of China Academy of Art. He is the founding chair of CAA’s Curatorial Studies Department (which is the first curatorial program in China), and the founding director of the School of Inter-media Art(SIMA),, Hangzhou. He is also the initiator ofthe China Institute for Visual Studies and the Asian intellectual organization Inter Asia School (IAS).

As a scholar, Gao is professor of contemporary art theory, social thoughts and curatorial studies. He published many books and catalogs include Visual Thinking: Intangible Dialogue between Art and Phenomenology, 2002; A Visual Report: Migration of Contemporary Art and Geopolitics in Asia, 2003; Farewell to Post-colonialism, 2008;Rehearsal, and Ho Chi Minh Trail, 2010; All things Lethal Remain Unutterable, 2011; Book in Action: On Curatorial Writing, 2012;Post/Colonial Condition of Knowledge: A Contemporary Asian ThoughtReader, 2012; Reflecta: Sound and Image After 2000, 2013; West Heavens: India China Summit on Social Thought, 2014; Three Parallel Artworlds: 100 Art Things from Chinese Modern History, 2015. He is the fellow ofSterling and Francine Clark Art Institute(2011), and his research project at Clark is titled Rehearsal, or, Art without Artwork. From 2013, he initiated the Renjian Thought Review and is the editor in chief of this intellectual Journal.

He is also curator of many exhibitions and intellectual projects, including: The Migration of Asian Contemporary Art and Geopolitics,2002-2003; Techniques of the Visible: the 5th Shanghai Biennale, 2004;Asian Time: New Media Art Exhibition, 2005; The Yellow Box: Contemporary Art and Architecture in Chinese Space, 2006; Alchemy of Shadow: the 3rd Lianzhou International Photography Festival, 2007;Reversing Horizons: Artist Reflections of the Hong Kong Handover 10th Anniversary, 2007; Revival of the Countryside: Special Project of Sao Paulo Architectural Biennial, 2007; Farewell to Post-colonialism: the Third Guangzhou Triennial, 2008; Rehearsal: the 8th Shanghai Biennale, 2010; West Heavens: Dialogues between Indian and Chinese Social Thoughts, 2010-2011; and World in Transition, Imagination in Flux: Asian Circle of Thought Shanghai Summit, 2012; Reflecta: the First West Bund Biennale for Architecture and Contemporary Art, 2013; Inter-Asia Biennial Forum (Taipei, Shanghai, Kochi), 2014;Renjian Thoughts Forum: Reports of Asian Social Thought Movements, 2014; Forums in Motion:BANDUNG/Third World 60 Years (Hangzhou, Kochi, Beijing, Tokyo, Hong Kong, Bandung), 2015; etc..